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題名 | 論[(清)蔣士銓撰]《臨川夢》對[(明)湯顯祖撰 ]《臨川四夢》之理解、詮釋與接受的關係=Understanding, Interpretation and Reception: The Relationship between "Lin-Chuan-Meng" and "Lin-Chuan-Si-Meng" |
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作者 | 高嘉文; | 書刊名 | 人文與社會學報 |
卷期 | 2:2 2008.06[民97.06] |
頁次 | 頁213-242 |
分類號 | 822.5 |
關鍵詞 | 紫釵記; 牡丹亭; 南柯記; 邯鄲記; 接受美學; 蔣士銓; 臨川夢; 湯顯祖; 臨川四夢; Reception aesthetics; Jiang Shi-quan; Lin-chuan-meng; Tang Xian-zu; Lin-chuan-si-meng; |
語文 | 中文(Chinese) |
中文摘要 | 本文試圖從接受美學的觀點來看清代蔣士銓《臨川夢》與明代湯顯祖《臨川四夢》之間的關係,說明兩者間存有讀者對作品的理解與詮釋的互動關連。蔣士銓的《臨川夢》除了是一部以湯顯祖為主角的傳記劇外,劇中透露對湯顯祖及其《四夢》的評論,亦可視為是湯氏《四夢》的另類評本,這樣的評論呈現蔣士銓本人何種觀照視野是頗值得深入探討的。因此本文以「作為讀者的詮釋與接受」的角度探析蔣士銓的《臨川夢》,首先簡述蔣士銓之前大眾對《臨川四夢》的接受史;接著檢視蔣士銓創作《臨川夢》的背景以釐清其期待視野;而後將《臨川夢》對《臨川四夢》的評論分為「角色」、「情節」、「創作背景與意圖」三點作論述;最後歸結蔣士銓之「接受」所呈現的觀點。 |
英文摘要 | This paper intends to use Reception Aesthetics as main source to analyze the relationship between Lin-Chuan-Meng and Lin-Chuan-Si-Meng. Proving that there is a interaction in the understanding and interpretation to the reader between the two compositions. Lin-Chuan-Meng not only as Tang Xian-Zu's biography drama, it also reveal out to Tang Xian-Zu and Lin-Chuan-Si-Meng's viewpoint in the drama and this view is also regarded as Lin-Chuan-Si-Meng's special commentary, this commentary shows what kinds of viewpoint of Jiang shi-Quan himself ,is deserved investigation. Taking ''reader's interpretation and reception'' as a starting point, this paper try to analyze Lin-Chuan-Meng. First, describing briefly the audience to the history of reception of Lin-Chuan-Si-Meng before the time of Jiang shi-Quan. Second, examining the background of writing of Lin-Chuan-Meng in order to clarify it's horizen of expectations. Third, distinguish the commentary to Lin-Chuan-Si-Meng in Lin-Chuan-Meng into three pieces of aspect including: role, plot and the intention and background of creating. Finally, summarizing this three pieces of aspect into reception aspect of Jiang Shi-Quan. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。