頁籤選單縮合
題名 | 從「聲律之爭」與「吳歌西曲」看江東舊族與新貴的雅俗之別--兼論沈約對俗文化的吸收與轉化=From 「Phonology Debate」 and 「Folk Music: Wuge Sicyu」 to See the Differences between Popular Tastes of the Old Jiangdong People and Refined Tastes of the New Fashions--and also to Discuss the Assimilation and Transformation of the Shen Yue Culture |
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作者 | 張鴻愷; | 書刊名 | 興國學報 |
卷期 | 9 2008.01[民97.01] |
頁次 | 頁237-246 |
分類號 | 821.835 |
關鍵詞 | 沈約; 吳歌西曲; 俗文學; 聲律論; 齊梁文學; Shen Yue; Wuge Sicyu; Popular literature; Phonology theory; Ci-Liang literature; |
語文 | 中文(Chinese) |
中文摘要 | 沈約、陸厥之爭反映了雙方對儒家傳統五聲與永明四聲體系的不同看法。沈約「四聲論」的產生,與其對民間通俗文化的吸收密不可分。沈約對於俗文化的喜好,顯露出其文化觀念中所帶有的江東新貴的特質。沈約混同雅俗的思想傾向,反映出他對俗文化的接納程度,遠超過同時代的其他人,從而使他在運用四聲於詩歌創作等文學新變中處於領袖地位。 |
英文摘要 | Debate of SHEN Yue and LU Jyue reflected their different opinions about the traditional five phonologic system by the Confuciansits and the Yongming four phonologic system. The birth of SHEN Yue's 「Four Phonologic System Theory」 was closely related to his assimilation of the folk popular culture. SHEN Yue's interests in popular culture reflected characteristics of the Jiangdong new fashion in his culture concepts. His mixed thinking with both refined and popular tastes reflected that SHEN Yue was able to accept much more popular culture than any other else at the same period. This made him to be a leader in applying four phonologic system in poetry creations and other literature new fashions. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。