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題 名 | 以十二服章紋應用於旗袍設計之研究=Study on Chinese Official Pattern Applied to Cheongsam Design |
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作 者 | 陳麗舟; 陳重任; | 書刊名 | 美容科技學刊 |
卷 期 | 5:1 2008.03[民97.03] |
頁 次 | 頁149-164 |
分類號 | 424.33 |
關鍵詞 | 十二服章紋; 服裝制度; 旗袍; 符號; Chinese official pattern; Attire institution; Cheongsam; Sign; |
語 文 | 中文(Chinese) |
中文摘要 | 在歷代所傳承之「服裝制度」中,不論外在色彩、圖案|與服式,除了顯示出所蘊涵的中國文化之外,更能表達其傳統意義。提及中國傳統服飾,大多數的人都會聯想到「旗袍」或「唐裝」。旗袍為中國女性最具代表傳統的服飾,但其外在式樣較為成熟端莊,使穿著旗袍的年齡層受限。因此,本研究以十二服章紋外形「符號具」及內涵「符號義」作為創作元素之依據,將旗袍所呈現的貼身、強調女性體態及曲線美的成熟感,轉換為剪裁合身,裙擺以寬鬆、堆疊的層次感設計。除了傳達中國傳統圖騰的美感之外,亦能使旗袍式樣更為年輕化,展現出旗袍的傳統與現代兼具的優雅。 |
英文摘要 | Inherits it in all previous dynasties "attire institution", In spite of external color, pattern and the style, In addition to displaying the Chinese culture, It even express traditional meaning. Mentioning the persons of Chinese traditional dress majority will associate "cheongsam" or "Chinese style costume". Cheongsam has representative traditional dress most for the Chinese women, but it external style is more mature and dignified, making the age range of cheongsam to a limit. This research with the Chinese ot1ìcial pattern shape "signifier" and the internality "signified"as the basis of creating element intension, The cheongsam is to present and emphasize women figures and the mature feeling of the beautiful curve, and convert into tailor to fit the body, skirt wave with the layer feeling which loosen of pile design. In addition to transmitting the esthetic impression of Chinese traditional totem, also make the style of cheongsam more younger, Show tradition and modem of cheongsam gracefulness. |
本系統中英文摘要資訊取自各篇刊載內容。