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題名 | 《江湖奇俠傳》(1922)的另類孩童=Alternative Children in "Jiang Hu Qi Xia Zhuan" (江湖奇俠傳) |
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作者姓名(中文) | 楊清惠; | 書刊名 | 華梵人文學報 |
卷期 | 9 2008.01[民97.01] |
頁次 | 頁93-132 |
分類號 | 827.3 |
關鍵詞 | 武俠小說; 平江不肖生; 向愷然; 孩童; 現代; 通俗文學; 江湖奇俠傳; 紅雜誌; Children; Modern; Popular literature; Jiang hu qi xia zhuan; Red magazine; |
語文 | 中文(Chinese) |
中文摘要 | 1922年,當新文學刊物《兒童世界》發行,舊派《江胡奇俠傳》開始連載。此時,原以青壯年爲主的武俠主角悄悄蛻變,取而代之的是「頑童」;而真正讓「童子」大顯身手的,便是《江湖奇俠傳》。新文學健將周作人和鄭振鐸,也是當世重要的兒童文學家。然而,因爲鄭氏具有「文學革命論」的偏見,反而與「兒童本位」理論產生悖論。反觀當時舊派通俗文學武俠小說,屬於被他大肆批評的「改良主義的爲大眾的文學」,該文類中的「頑童歷險」故事,卻暗合周作人所謂的「文學的童話」。鑑於現代文學中孩童論述的研究,多集中在「新」派陣營的勘察上,本文擬以當時發表自《紅雜誌》(《紅玫塊》)的《江湖奇俠傳》爲考察對象,並以新文學爲參照系:目的在凸顯通俗文學中孩童論述的另類觀點,企圖補足現代文學孩童論述的缺頁。至於,本文論述結構由三部分加以展開,透過頑童形象的三個面向:「野孩子」、「老小同體」「頑童歷險」,探論文本中蘊含的孩童形象及其論述;分別說明通俗文藝中的頑童形象及暴戾性,以及所呈現的孩童崇拜心理,乃至對照新文學相關的孩童論述。本文研究發現,1920、1930年代,兒童年齡分層的概念仍有一定程度模糊性。通俗文學中孩子的身影,不僅折射出孩子異樣的形象,也映現出中國人對待孩童的複雜心理,以及孩童觀念之廣狹義涵的流動性。藉由新、舊文學孩童形象的對照,發現現代文學中孩童多元並呈的面貌。換言之,大眾文學的發展也應納入中國「現代性」進程的一環,其孩童論述也是「新」中國的另一種隱喻。 |
英文摘要 | In the 1920's and 1930's, while modern "fairy tale" (童話) begins to rise in Chinese literature, "the child" issue appears in Chinese literature research gradually .Modern children literature writers pay attention to nation mission than child's nature. In their works, real liberation of the child does not exist .In other words, Zhou Zuoren (周作人) and Zheng Zhenze (鄭振鐸) are not only important writers of modern literature but also important children's literature writers。Zheng Zhenze objects to traditional education regarding child as "adult that dwindle", and he recognizes fairy tale are "mostly ridiculous and unusual statements". Therefore, his children's literature theory produces the paradox. Reviewing "reformed popular literature (改良主義的爲大衆的文學)", such as Chinese-Knight- errant novel (武俠小說), which Zheng Zhenze criticizes, there are a lot of child exploration stories that are accord with Zhou Zuoren's theory of "fairy tale of literature (文學的童話)". Because the research in modern Chinese children literature concentrates on novel, articles, magazine of "newly camp", comparatively neglects popular literature/culture. This thesis is drafted with "child's image" which is in the popular Chinese-Knight-errant novel" Jiang hu qi xia zhuan (江湖奇俠傳)", and publication" red magazine (紅雜誌)" (also named" red rose (紅玫瑰)" in 1924-1937). The child's image in popular literature will contrast the child theory of "newly camp" so as to fill the discourse of children in modern Chinese literature. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。