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題名 | The ‘Cambiata’ Motive and Cyclic Form in Schnittke's 4th String Quartet and 3rd Piano Sonata |
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作者 | Koay, Kheng-keow; | 書刊名 | 中山人文學報 |
卷期 | 24 2007.冬[民96.冬] |
頁次 | 頁25-39 |
專輯 | 音樂學研究新視野 |
分類號 | 910.9948 |
關鍵詞 | 許尼特克; 二十世紀音樂; 當代俄國音樂; Alfred Schnittke; 20th-century muic; Contemporary Russian music; |
語文 | 英文(English) |
中文摘要 | 本文探討十幾年來許尼特克創作中常用的主題手法,尤其在音樂的範疇上,這個慣用主題更是持續發展,其中主題運用安排的技法值得特別注意。除了運用多樣作曲技巧之外,不管是否運用大跳躍分隔出半音或跳躍音程,許尼特克在音樂表而結構上,大都會分別呈現這個主題於其音樂原始架構、以及半音階的排列之中。 |
英文摘要 | This paper reveals site treatment of a musical clement (motive) that has been used and reused in Schnittke's compositions for more than a decade. In the music, the motive not merely undergoes varied reiteration but also development. In general, on the surface level it is presented in: 1) its original structure, with or without its outer semitone being separated by a huge leap, and 2) a chromatic line, wills or without its outer interval being separated by a huge leap. In addition, a variety of compositional techniques ate employed to bring attention to the motive. Especially noteworthy is Schnittke's treatment of motive manipulation in Site music. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。