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題名 | 傳統京劇自然聲演出之主觀評價初探=Subjective Assessments of Acoustical Environments for Un-assisted Traditional Peking Opera Performances |
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作者姓名(中文) | 林葳; 余亞蓁; 江維華; | 書刊名 | 中華民國音響學刊 |
卷期 | 12 2007.11[民96.11] |
頁次 | 頁48-59 |
分類號 | 982.1 |
關鍵詞 | 傳統京劇; 自然聲演出; 主觀評估; 聲強因子; 餘響時間; Traditional Peking opera; Un-assisted performing; Subjective evaluation; Strength factor; Reverberation time; |
語文 | 中文(Chinese) |
中文摘要 | 由於西方表演藝術的侵襲,導致傳統京劇表顯形式產生改變,使傳統京劇喪失其悅耳的自然聲。然而傳統京劇博大精深,整合了中國戲曲之精粹,有其延續及保存之必要性。因此本研究以傳統京劇自然聲為研究對象,記錄其自然聲並透過音訊的轉置,對大眾做一主觀評估的實驗,以了解大眾對傳統京劇自然聲的喜好度,實驗變因包括聲強因子(G)、餘響時間(T30)。與方向性(正、側向),主觀屬性則包含響度(大小聲)、餘響感、清晰感、音色及整體聽覺感受。研究結果可發現聲強因子及聆聽方向為影響整體感受之主要因子,餘響時間的影響力則較小,6000m₃可做為非使用鏡框式舞臺時室容積之上限。 |
英文摘要 | The prevalence of Western performing arts has impacted on how traditional Peking opera is performed. It is, however, necessary to preserve and pass on traditional Peking opera for it integrates the essence of Chinese opera. The research has been conducted regarding subjective assessment of the acoustical environment for traditional Peking opera. Recording of dry sound sources was also performed. Strength factor and listening direction were found to be the principle factors that determine overall impression while reverberation time is less important. 6000 m3 can be used as the upper limit for room volume when a thrust stage is used. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。