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題 名 | 城市在電影中的再現:從通屬性到空間分化=The Representation of City in the Cinema: From the Genericity to the Spatial Differenciation |
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作 者 | 黃建宏; | 書刊名 | 實踐設計學報 |
卷 期 | 1 民94.07 |
頁 次 | 頁198-212 |
分類號 | 987 |
關鍵詞 | 城市; 通屬性; 皺褶; 德勒茲; 義大利新寫實; 法國新浪潮; |
語 文 | 中文(Chinese) |
中文摘要 | 城市作為一個現象或概念,因為它內涵的多元性,以及條件和界線的無法明確,而緊鄰著一種無法再現的界線。這使得城市成為一個展現多元可能性,以及遂行最複雜多層的虛擬運作的場域。面對這樣一種無法被對象化的場域、卻對當代具有重大意義的課題,我們又如何得以述說、開展它的美學意涵呢?因為這場域的無法完全再現,以及非定型與非穩定性,而跟事件有了本質性的聯繫。換句話說,事件就作為城市現身最重要的一個方式。在此,嘗試經由電影的影音經驗,來思考這個問題。 首先,經由蔡明亮對於都市空間的影像開發,思考「通屬性」與「事件」之間的弔詭關係。進而,對於影像中的空間再現與空間分化進行初步的釐清。在這一部分,我們先嘗試說明皺褶與非線性空間之間的深刻聯繫,因為這兩個概念不只是成為今天建築設計在概念發展上,以及概念陳述上的重要術語,同時已經開始出現越來越多建物,呼應著這些概念而開發出不同的建築空間與都市空間。接著,則回到現代電影的開端,也就是義大利新寫實與法國新浪潮,初步探討電影影像中,如何分化,意即多樣化城市與建築的空間,尋找到電影與建築在空間上的一種往返互動,激發彼此的創意。 |
英文摘要 | The city as a phenomenon or a concept, with its multiplicity, as well as the condition of formation and the demarcation line that are unable to be determined, is neighborly to one in-presentable board line. This enables the city to become to one place where emerge multi-possibility, as well as the most complex stratification and the virtual operation. Facing such one kind of undetermined objectivation, but as well as the most remarkable contemporary subject, how can we recount and develop its esthetics contain? Because this territory is unable completely to be represented as one object, with undefined form or instability, but has the radical relation with the event. In other words, the event takes the most important expressive form of the city. In this, attempts by audiovisual experience of the cinema, ponders this question. First, by way, of Tsai Ming-Liang, to explorer the images of metropolis space, ponder the paradoxical relation between “the genericity” and “the event”. Then, we consider the spatial representation and the differenciation of space in the image. In this part, we first attempt the profound relation between the folding and the non-linear spatial, because these two concepts not only become today important terminology of the development of concept and the conceptual statement in the architectural design, simultaneously already started to appear more and more constructs, and develop the different construction space and the metropolis space by echoing these concepts. Then returns to the beginning of modern cinema, also is Italy Neo-realisme and the French New-wave, initially discusses in the cinematographic image, how differencier, in other word, multiplier the space of city and of architecture, for seek to one kind of round-trip interaction between the movie and the building, stimulating each other the creativity. |
本系統中英文摘要資訊取自各篇刊載內容。