頁籤選單縮合
題 名 | 論謝林哲學中的藝術直觀與藝術形構=The Artistic Intuition and Artistic Formation in Schelling's Philosophy |
---|---|
作 者 | 黃冠閔; | 書刊名 | 東吳哲學學報 |
卷 期 | 14 民95.08 |
頁 次 | 頁61-92 |
分類號 | 147.48 |
關鍵詞 | 想像; 構想力; 內化形構; 一體化形構; 藝術直觀; 智性直觀; Imagination; Einbildungkraft; Einbildung; Ineinsbildung; Artistic intuition; Intellectual intuition; |
語 文 | 中文(Chinese) |
英文摘要 | Abstract In Schelling’s philosophical conception, art is set in an alternative: either as the ultimate moment of philosophical consciousness or as a phase in the identity system. The main question is how the essential character of Art is in relation to the human consciousness and significant in the light of philosophical apprehension. As the artistic intuition reflects objectively the intellectual intuition, the art reveals an original articulation with the absolute; art is considered as a presentation (Darstellung) of the absolute in the objective form, formulated in terms of imagination (Einbildung) or in-formation (Ineinsbildung), especially used by Schelling in adapting the mystic tradition. Since the metaphysical principles (infinite, finite; ideal, real) are interwoven in system, artistic imagination incarnates the construction of the Universe and integrates in itself the constructive meaning, which renders possible the philosophy of art. |
本系統中英文摘要資訊取自各篇刊載內容。