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| 題 名 | 論隱題詩=One Poetry with Hidden Titles |
|---|---|
| 作 者 | 沈志方; | 書刊名 | 僑光技術學院通觀洞識學報 |
| 卷 期 | 1 民91.11 |
| 頁 次 | 頁27-45 |
| 分類號 | 821.781 |
| 關鍵詞 | 隱題詩; 洛夫; 形式; 製題; 破題; 名片詩; Poetry with hidden meanings; Lo-fu; Card poems; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 臺灣現代詩壇的隱題詩風潮,始於一九九一年七月洛夫於創世紀詩刊八十四期所發表的《我在腹內餵養一隻毒蟲》。年餘之間,幾以一人之力,密集刊載該體作品於臺灣各重要副刊、詩刊、文學雜誌,進而擴及香港與大陸,並引起頗多模仿;此一現象,至少就臺灣詩壇而言應屬空前,故隱題詩及其背後所可能指涉的範圍頗值探究。 全文計分六章。先釐清「隱題詩即古代藏頭詩」之稱謂糾葛,以突顯研討的對象。次論「洛夫與隱題詩」,本章側重洛夫歷來對現代詩形式的追求;並探述「製題與破題」技巧,正是洛夫隱題詩具有高度藝術價值的重要因素。次論「隱題詩與現代詩教學」。第四章以實際詩作的分析,呈顯隱題詩創作時可能遭遇的困境、挑戰與超越。五章結論。六章附論,本文完稿後曾遠寄加拿大請洛夫先生賜正,並衍伸至最新力作《漂木》之形式創發的討論。期能經此答問,對論文中所提觀點獲致更可信的研究成果。 |
| 英文摘要 | In the history of modern Taiwan poetry, the trend for poetry with hidden titles has had its beginning since Lo-fu's. A Poisonous Bug Fed in My Belly was published in Volume 84 of Genesis Poetry. Within a year or so, Lo-fu flourished the trend for this style of poetic writing with abundant publications in important newspapers, poetry magazines or literary magazines in Taiwan and further influenced the poetic writing by poets in Hong Kong and China. Such phenomenon is significant in Taiwan and its signification of influence requires further study. The collection of Poetry with Hidden Titles has been published for seven years. Afterwards only a poem of the same style entitled with Ai-ling Chang's words Life is a Splendid Robe Creeping with Bugs was published in March, 1996. Five years has passed ever since, so such trend deserves only a scrutinizing research but careful elaboration. In addition to general research like poets' speciality, trends, choices of themes, limitation and surpassing of creation and new meanings for modern poetry, a research on the poetry with hidden titles can be analyzed with the aid from the experience of teaching modern poetry. So far as a methodology is concerned, it is a coercive way for a poet to begin each poetic line with certain lexicons or syntaxes. However, such method is helpful if a novel poet wants to avoid the mistake of composing a sentenced essay instead of writing a poem. With my years of teaching and observation, I tend to analyze different layers of meanings expressed in the writing style of Poetry with Hidden Titles. This study aims to discuss some important issues as follows. First, I would like to clarify the misunderstanding that a poem with hidden titles has the same style as the ancient poem which every sentence begins with any word of the title. An approach to a/various words and alluded titles will be illustrated in this analysis. Second, I would study how Lo-fu pursued the writing style of modern poetry and this would be the reason why poetry with hidden titles became popular. Then, this study will analyze the difficulty or challenges which poetry with hidden titles might inscribe within them. Next, I will analyze poetic texts, find the meanings which are brought and influenced to modern poetry by the poetry with hidden titles, and further locates the position of such poetic writing style in literary history. The final chapter will be the conclcusion to the study. |
本系統中英文摘要資訊取自各篇刊載內容。