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題 名 | 從圖像學原理探討潘天壽繪畫風格=An Iconographic Study of Pan Tien-Shou's Painting Style |
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作 者 | 林玉山; | 書刊名 | 國立彰化師範大學文學院學報 |
卷 期 | 4 民94.11 |
頁 次 | 頁120-145 |
分類號 | 940.98 |
關鍵詞 | 圖像學; 圖像解釋學; 繪畫; 風格; Iconography; Iconology; Painting; Style; |
語 文 | 中文(Chinese) |
中文摘要 | 近代西方藝術史的研究,對於歷史或風格改變被視為重要課題,有主張進化論者、歷史循環論者、藝術科學論者三大流派。各家之論點各有其特色與適用之時代與環境以及藝術之類別,但是基本上,在研究觀點方面,可分為兩大類:即內在考證與外在的考證兩方面,前者注重藝術作品本身性質的描述與分析,後者則著重對作品產生影響的其他條件。然而要想進一步對藝術作品的內容加以探究,當以圖像學之應用較為實際。潘天壽是二十世紀偉大的水墨畫家與藝術理論學者,曾擔任國立藝專、東南聯大、暨南大學、英士大學等校教授。抗戰末期曾兼任國立藝專校長約三年之久。個人對當代國畫名家及其風格,頗感興趣,為進一步了解潘天壽藝術創作歷程的轉變與繪畫風格之發展,擬依據潘諾夫斯基之圖像學、圖像解釋學原理,試圖加以探討。全文分為:緒論:說明研究動機與目的、研究方法及名詞釋義;其次,針對潘諾夫斯基之生平及其圖像學原理加以分析;接著,透過潘諾夫斯基圖像學之基本概念及原理,探討潘天壽繪畫作品之風格與特徵;簡介潘天壽繪畫發展歷程;分析其不同階段之風格特徵。以便詮釋其創作風格與時代更替、社會變遷之間的關係並作結論。 |
英文摘要 | Recent studies in Western art history consider stylistic transformation to be the central curriculum and often follow one of three schools: evolution, history cycle and science of art, ach with its particular characteristics, appropriate applicable background and art category. However, in terms of perspective, these studies can be basically divided into two types: internal or external critism. The former focuses on descriptions and analysis of inherent features of the art work itself, whereas the latter focuses on other conditions that have influenced the work. However, in order to better understand the content of a piece of art, iconography can be a more practical approach. Pan Tien-Shou, a great ink painter and art theorist of the 20th century, also lectured at the National Art Institute of China, Southeast United University, Jinan University and Ingshi University. Towards the end of the Sino-Japan War, Pan was the principal of National Art Institute of China for three years. This writer has always been interested in the works of styles of traditional Chinese painting masters of modern times. In order to further understand changes in Pan Tien-Shou's creative journey and developments in his painting style, I intend to use Panofsky's theory on iconography and iconology as the basis of my discussion. The study will have the following structure: Introduction, Research Motive and Purpose, Research Method and Terminology; Panofsky and Iconography Theory; Iconographic Analysis of Pan Tien-Shou's Painting Style and Characteristics; Developments in Pan Tien-Shou's Creative Process; Different Phases and Related Features of Pan's Style. In conclusion, I will attempt to Interpret the connection between Pan's painting style, the changing times and society. |
本系統中英文摘要資訊取自各篇刊載內容。