頁籤選單縮合
題名 | 唐代茶畫、茶碑、茶帖之研究=A Research of Tea Paintings, Tea Inscriptions (茶碑) , Tea Epigraphs (茶帖) of Tang Dynasty |
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作者 | 傅及光; 李立信; | 書刊名 | 高餐通識教育學刊 |
卷期 | 3 民95.06 |
頁次 | 頁169-189 |
分類號 | 538.75 |
關鍵詞 | 茶畫; 茶碑; 茶帖; 茶事活動; Tea painting; Tea inscription; Tea epigraph; Tea activity; |
語文 | 中文(Chinese) |
中文摘要 | 茶文化作為中國文化構成的一部份,以其豐富的形式、純粹的意境和優美的掌故,為書畫藝術的創作,提供了豐富的素材,從茶藝蓬勃發展的唐代開始,歷代的繪畫作品中,「茶事」這一主題,不停地被人們以畫、碑、帖不同的形式表現,可以讓人們深刻地感受到茶文化對繪畫藝術的影響。 作為一種藝術形式,繪畫所表現的內容總是有其時代特徵,在茶文化成為一個獨特文化的唐代,興盛的茶事活動,自然會在當時繪畫作品中表現出來。它反映唐代社會上人們飲茶的風尚。目前已經發現唐代茶事的繪畫作品,是唐著名畫家閻立本題為〈蕭翼賺蘭亭圖〉的繪畫作品,和唐人佚名〈宮樂圖〉及周昉〈調琴啜茗圖卷〉為最著。詩碑則以袁高〈茶山詩〉與杜牧〈題茶山〉顧渚山石刻傳名。茶帖則以唐代書法家懷素之〈苦筍帖〉傳之於世。 這些有關唐代茶文化之繪畫、碑帖作品,充分顯示唐代茶文化活動之興盛。無論宮廷、民間對茶事活動,皆頗為講究;然亦可觀察茶農在唐代貢茶茶稅中生活之困苦。 |
英文摘要 | The tea culture is a hitting part that Chinese culture formed. Its rich forms, artistic conceptions and gestures, offer abundant materials for creating the art of calligraphy and paintings. In the Tang Dynasty, vigorous breakthroughs of the tea culture took place. Since then, the them of "tea thing"(茶事) had been represented in a successive manner but in different forms as paintings, inscriptions, and epigraphs. All of these make people are acutely aware of the impacts of the tea culture on painting art. As a form of art, contents of paintings represent the characteristics of its era. In the period of Tang Dynasty, the tea culture was unique. Its thriving activities of the tea culture can be sensed in a number of art works in its era. It is generally acknowledged the paintings of Yan Li-Ben's (蕭翼賺蘭亭圖), a Tang anonymous artist's (宮樂圖), Zhou-Fang's are the most representative master-pieces. (周昉 調琴啜茗圖) The most recognized poem inscriptions are Yuan-Gao's (袁高 茶山詩) and Du-Mu's in Mountain Gu-Zhu. The tea epigraph (杜牧 題茶山)is Tang calligraphist Huai-Cu's (懷素苦筍帖). |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。