頁籤選單縮合
題 名 | 《莊子》中的神人與上古神話的超越思維=The Supernaturalism in "Chuang Chou" and the Supernal Philosophy in the Primitive Time |
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作 者 | 謝易真; | 書刊名 | 慈濟技術學院學報 |
卷 期 | 7 民94.09 |
頁 次 | 頁173-187 |
分類號 | 121.33 |
關鍵詞 | 莊子; 神人觀; 神話; |
語 文 | 中文(Chinese) |
中文摘要 | 《莊子》這部書,在恢宏詭譎的形式下包含精妙深微的意旨,也是先秦最善用神話的典籍之一,其闡述其哲學思想多寄托於寓言,所謂「寓言十九,重言十七,卮言日出」(<寓言>),在大量的寓言故事中也包含著諸多神話或神話因素,它對神話的靈活運用,不僅是其表達哲理的手段,也反映其神話觀點。《莊子》中的神話寓言眾多,本文擬以頗能契合莊子無待精神的「神人」形象與中國上古神話中的「神人」作一對觀,以探討二者在外在形象與內在思維上有可資對觀之處,並從文人傳統經典之一的《莊子》中尋找與上古神話的關係,尋求二者共有的內在思維,在追求「超越」的共同思維上,並分析二者在形象風格上的不同傾向,及其傳承與轉化的聯繫關係。 |
英文摘要 | This book "Chuang Chou", writing in a broad and weird style involves the profound meaning and also being one of the most myths in the Pre-Chin. It expounds the philosophical principle in those myths. The mass of the fables are revealed with lots of myths and the bases of it. The cunning description of the myths is not only the way to express his philosophical principles but also reflects his supernatural aspects. As there are lots of myths in "Chuang Chou", this paper tries to compare the boundless supernatural images to the primitive fables, by that to explore the differences in the external looks and the inner thinkings, and also search for the relationship between the both and the mutuality in the stylistic ideas and images. In searching for the distinction of the supernatural thinkings in "Chuang Chou"and the primitive fables, this paper also analyzes the difference, in the external stylistic tendency and the shift connection. |
本系統中英文摘要資訊取自各篇刊載內容。