頁籤選單縮合
題 名 | 明代擬古派的困境 |
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作 者 | 簡恩定; | 書刊名 | 國家科學委員會研究彙刊. 人文及社會科學 |
卷 期 | 4:1 1994.01[民83.01] |
頁 次 | 頁59-67 |
分類號 | 820.906 |
關鍵詞 | 格調; 捨筏達岸; 規矩; 神韻; |
語 文 | 中文(Chinese) |
中文摘要 | 擬古在中國文學史上,原是個普遍的現象。不過到明代以李夢陽為首的擬古派手 裡,無論在當時或後代,都產生相當大的爭議。一般的解釋是明代擬古派所作的為形式模擬 ,高者不過古人影子,下者已有抄襲剽竊之嫌。這種解釋看似正確,其實仍有疏漏。細檢明 代擬古派所提出的文學主張,實在隱存多重困境在內,非只剽竊抄襲、古人影子數語可以盡 括。因而本文嘗試從明代擬古派所提的理論及實踐中,產生的矛盾及困境來討論,希望能藉 此更清楚瞭解,明代擬古派所提文學主張,終歸失敗的原因。 |
英文摘要 | Mimicry is prevalent throughout the history of Chinese literature; however, a major controversy occurred when Li Mong-young became the master of mimicry during the Ming dynasty. Previous scholars have described Ming Mimicry as merely pattern imitation-- at best a shadow of preceding literature, at worst an act of duplication. For a better understanding of the causes for the failure of Ming Mimicry, I attempt to show why this explanation is deficient, since a closer examination of Ming Mimicry theory reveals the difficulties which existed in this writing style. |
本系統中英文摘要資訊取自各篇刊載內容。