頁籤選單縮合
題名 | 殷璠「興象」說的內涵及其時代意義=The Connotation and Epoch-meaning of “Xing-xiang interpretation” by Fan Yin |
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作者姓名(中文) | 朱芳玲; | 書刊名 | 長庚科技學刊 |
卷期 | 4 民94.12 |
頁次 | 頁149-165 |
分類號 | 851.441 |
關鍵詞 | 殷璠; 河嶽英靈集; 興; 象; 興象說; Yin-fan; Ho Yo Ying Ling; Xing; Xiang; Xing-xiang interpretation; |
語文 | 中文(Chinese) |
中文摘要 | 本文擬由殷璿《河嶽英靈集》對盛唐詩人詩作的品藻和選錄詩歌的內容,探討「興」、「象」以及「興象」在殷璿詩論的真正內涵,以見「興象」說在審美理論上的創新意義與價值;繼而由「興象」說與前人詩論的比較,一窺「興象」說與歷代審美詩論的內在繼承關係,除彰顯「興象」說的時代意義,也由其開創的審美思路對後世神韻詩論的影響,說明其理論價值。論文的進行,筆者發現,「興」與「象」的結合,是從以「興」論詩的「言志」傳統,走向以 「象」論詩的「抒情」傳統的轉折點,它不僅是前人詩學審美理論的集中與深化,也涵攝了盛唐詩歌的藝術成就和審美特徵,具重大的時代意義。在詩論的價值與影響上,「興象」說是魏晉以來以「興」論詩的階段性總結,它開啟的以「象」論詩的審美新思路,為同時代以及其後的詩人以「境」論詩提供了一個審美新視點,是從六朝以來詩論發展的關鍵性理論,也是殷璿「興象」說在詩論史上最大的價值。 |
英文摘要 | Basing on the comments of the poem works in the heyday of the Tan Dynasty and the contents in the book of "He Yu Ying Ling Ji" by Fan Yin, this article discussed the deep connotation of the contentions of "Xing", "Xiang", and "Xing-Xiang" in Fan Yin's "Poem-ism" to disclose the originality and values of the "Xing-Xiang Interpretation" for esthetics. Moreover, a comparison between "Xing-Xiang Interpretation" and other poem-isms was done to dig out their succeeding relationships. In addition to show the epoch-meaning of "Xing-Xiang Interpretation", the values of "Xing-Xiang Interpretation" are also interpreted through expounding its esthetical thinking and influences on the later "Shen-Yun" poem-ism. It is issued that the combination of "Xing" and "Xiang" is the turning point of from the "Xing" poem-criticism based convention of aspiration-telling to the "Xiang" poem-criticism based convention of emotion-expressing. This combination not only stands for the assembly and insightful transformation of the previous esthetical poem-isms, but also cover the artistic achievements and esthetical characteristics of poetry in Tan Dynasty. The epoch meaning of this combination is important and noteworthy. On the other hand, "Xing-Xiang Interpretation" summed up the "Xing" based poem-criticisms in the period from Wei-Jin to Tan Dynasty, then to create the new esthetical thinking about the "Xiang" based poem-criticism, which initiate a new viewpoint of esthetics for the succeeding poets: "Jing" based poem-criticism. This creation is the key theory in the developments of "Shen-Yun" poem-ism after the period of Six-Dynasties. Meanwhile, it could be also considered as the most valuable contribution of "Xing-Xiang Interpretation" in the history of poem-ism. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。