頁籤選單縮合
題名 | 由劇本文學及演出實踐探討客家三腳採茶戲之風格形成=The Inquiry of the Formation of Hakka Three-role Tea-picking Opera Style from the Literature of Plays and Performing Practice |
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作者 | 蘇秀婷; Su, Hsiu-ting; |
期刊 | 臺灣音樂研究 |
出版日期 | 20051000 |
卷期 | 1 民94.10 |
頁次 | 頁99-129 |
分類號 | 983.33 |
語文 | chi |
關鍵詞 | 三腳採茶; 採茶戲; 張三郎; Three-role tea-packing opera; Tea-picking opera; Chang Shen; |
中文摘要 | 近年來針對客家三腳採茶戲的研究,由建構其發展史到劇本復原,有相當的成就。本文在先前研究者的基礎上,從劇目變遷與劇本文學的向度探討三腳採茶的風格變遷及特色形成。劇目上「張三郎賣茶」由主流退居次要,以及劇本中口語藝術的分析,歸結出三腳採茶在二十世紀前期有突破性改變,包括新劇目大量增加,戲劇結構上「相褒」、「棚頭」的擴張,戲劇行當的分化及喜感美學的確立等,無形中成為日後改良為大戲的基礎條件。 |
英文摘要 | In the recent years, the research aiming to Hakka Three-Role Tea-Picking opera has very greatly achievement by establishing its development history and recovery of the plays. Based on the former researchers’ foundation, it’s formed by dimensions of the change of a list of plays and the literature of opera to inquiry of the change and characteristic of Three-Role Tea-Picking Opera. The list of plays on Chang Shen’s Tea Sale withdrew to be secondary from main stream and the analysis of oral art in the opera, concludes that Three-role Tea-Picking Opera with a breakthrough changes in the early period of the 20th century, including of the tremendous increase of new list of plays, the expansion of “Siang-Bao”, “Peng-Tou” in the opera structure, the division of opera roles, and firmly establishment of comedy aesthetics, becomes the foundation to be improvement as Modified Tea Picking Opera virtually. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。