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題名 | 從擬作姿態到擬作的力:舞蹈現象學研究=From Virtual Gesture to Vitual Power: A Phenomenological Inquiry of Dance |
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作者姓名(中文) | 龔卓軍; | 書刊名 | 哲學與文化 |
卷期 | 32:12=379 民94.12 |
頁次 | 頁103-124 |
專輯 | 藝術與哲學專題 |
分類號 | 976 |
關鍵詞 | 舞蹈; 現象學; 擬作的力; 身體圖式; 蘭格; 梅洛龐蒂; Dance; Phenomenology; Virtual power; Schéma corporel; Langer; Merleau-Ponty; |
語文 | 中文(Chinese) |
中文摘要 | 本文從傳統芭蕾、現代舞到後現代舞蹈的經驗轉變,透過現象學的方法對這樣轉變中的爭議進行身體現象學的論辯與歷史系譜的釐清工作。尼采(F. Nietzsche)對舞蹈的看法與其哲學思想的關係,打開了哲學的身體論題,現代舞的推波助瀾,指向了「回到身體自身」的命題,但這個命題產生了弗瑞莉(S. H. Fraleigh)的存在現象學人文主義的「主體表現論」詮釋,也遭遇到蘭格(S. H. Langer)之卡西勒式的「情感符號論」詮釋。本文企圖透過梅洛龐蒂(M. Merleau-Ponty)的身體現象學,將這兩種詮釋路徑中所欠缺的「身體中介論」與「視覺奠基論」,置放到弗瑞莉與蘭格舞蹈美學主張的理論疑點上,重新打開對話的可能。 |
英文摘要 | This article aims at a phenomenological reduction of the experience of modem dance. It starts from the polemics between traditional ballet and modem dance to the controversy between modem dance and postmodern dance. It is also a genealogical reduction along the clues of the phenomenology of body. Friedrich Nietzsche initiates the close relations between modem dance and modem philosophy and opens up a way of the philosophy of body. Through the experiences of modem dance, Sondra H. Fraleigh has elaborated a humanist interpretation of existential phenomenology of modem dance. We think it is a subjective expressionism version of dance aesthetics. It is criticized by Suzanne Langer who has provided a Cassirerian dance aesthetics as theory of symbolic form of feelings. Finally, we think Maurice Merleau-Ponty has paved a phenomenological way of dialogue with Fraleigh's and Langer's dance aesthetics. It upholds ”body as the third term” and ”vision as fundierung” to deepen the ontological meanings of Langer's concepts of ”virtual gesture” and ”virtual power” which Langer herself has neglected in her aesthetic theory. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。