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題名 | 解析維梅爾的宗教畫--兼論維梅爾的宗教觀念=Analysis of Vermeer's Religious Paintings with Discussions on His Religious Beliefs |
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作 者 | 張純櫻; | 書刊名 | 國立臺北教育大學學報. 人文藝術類 |
卷期 | 18:2 民94.09 |
頁次 | 頁63-90 |
分類號 | 940.99472 |
關鍵詞 | 維梅爾; 荷蘭; 尼德蘭聯合省; 風俗畫; Vermeer; Genre; Dutch; |
語文 | 中文(Chinese) |
中文摘要 | 本文旨在分析十七世紀荷蘭風俗畫畫家-維梅爾三幅以宗教故事或儀式為題材的畫作內容之意涵,期望能探索出維梅爾如何藉由圖像來傳達和不同信仰的女子結婚之後,其個人宗教觀念的轉折。 一生都不曾踏出過國門的維梅爾其思想觀念足以作為當時一般人民的典型,是以,文章的另一項重點是,希望藉由討論維梅爾對宗教的態度來探討當時尼德蘭聯合省的國家宗教政策和教會的規範彼此是衝突的情況下,兩者對民眾的影響力孰大孰小。 |
英文摘要 | The paper is to analyze the three paintings on religious stories and sacrament subjects by 17th century Dutch genre painter Vermeer to see how Vermeer used icons to express the transitions of his own religious beliefs after marrying to a woman with different religions. Because Vermeer never stepped outside his country, his thoughts and beliefs are the representative of his contemporary people. Thus, the other purpose of the paper is to discuss, from the perspective of Vermeer’s religious attitudes, whether people in Netherlands would accept the national religious policy for harmony coexistence or they would obey the separate rules endorsed by the churches, and to explore whether it is the policy or the rules that would exercise greater effects on Netherlands. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。