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題 名 | 豫劇牡丹豫西調研究及其他=The Peony of Yu Play-Studies and Others on Yusi Tune |
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作 者 | 張紹鐸; | 書刊名 | 東南學報 |
卷 期 | 28 2005.06[民94.06] |
頁 次 | 頁409-426 |
分類號 | 982.513 |
關鍵詞 | 豫劇; 豫西調; 流派; 美學; Yu play; Ysi tune; School; Aesthetice; |
語 文 | 中文(Chinese) |
中文摘要 | 豫劇豫西調是豫劇中的牡丹,它用本腔發音,韻腳多落在豫東調主音〔5〕的下五度及下屬音〔1〕,因而豫西調又稱作「下五音」。在唱腔特點上,豫西調是穩重、含蓄、抑揚、演訴的,適於表演悲劇。特別是在表演現代戲方面,男聲用本嗓演唱更為適合,所以大有研究的必要。本文著重研究於豫劇豫西調的由來、豫西調名演員的藝術特徵、豫劇豫西調男生真嗓演唱極為難能可貴等幾個方面,並為豫西調的沒落深感憂慮。 一個劇種能夠形成多種藝術流派,是藝術上達到成熟的標誌,藝術流派越多,這個劇種也就顯得更加成熟和繁盛。〈豫劇流派的考察與研究〉,就豫劇流派進行了實際調查,就流派問題進行了理論上的探索。 豫劇呼喚美學,從整體上說,需要對它的藝術特徵進行概況了解;從實踐上說,需要對它二百八十多年來的藝術實踐以理論總結,從演出評論著眼,也需要有堅實的美學依據。〈豫劇呼喚美學〉,就此闡述了筆者的淺見。 振興豫劇,絕非空話,要靠幾代人的相繼努力,靠我們研究理論,不斷實踐,方能有所建樹。 願把我之拙見奉出,求教於專家學者。 |
英文摘要 | Yu Play's Yusi Tune is a Peony in Yu Play. The tune is articulated by genuine voice, and its rhyme feet are usually set on a sound which is five level lower than the major sound [5] of Yu Tung tune. So Yusi tune is also called “lower fifth sound” (a literal translation). In terms of the music for voices, Yusi Tune is steady, heavy, conservative, supressed, and narrative. It is suitable for the narration of tragedies. When it comes to the performance of modern plays, male sound articulated by genuine male voice is excellent. This deserves our study. In this study, I focus on such aspects as “the evolution of Yu play's Yusi tune,” “the artistic features of well-known Yusi tune actors,” and “the immense value of Yusi tune sung by the original male voices.”In addition, I have been worried that Yusi tune has been becoming more and more obscure. If a kind of play can develop into various artistic schools, it could signify that the art is mature. The more the schools, the more mature and prosperous the play is. “The Study and Research of Yu Play's schools” is designed to make a survey of Yu play's schools. I analyze the theoretical aspect of the Yu play's schools. In general, I research the artistic features of the Yu play. In practice, I reach a theoretical conclusion of Yu play's more than 280 years long history. And in the light of criticism on its performance, any remark is supposed to be made in accordance to convincing aesthetics. In actuality, I point out my personal view of the asethetic aspect of Yu play in “The Calling Aesthetic Features of Yu Play”. We've got to revive Yu play by conscientious efforts of several generations. We have to persist in the study of its theory, and to practice the theory. In this way, we will get somewhere. |
本系統中英文摘要資訊取自各篇刊載內容。