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題 名 | 一個子弟團--「新竹市北管戲曲促進會」的社會文化角色=The Social and Cultural Role of the "Hsinchu City Association for the Promotion of Peikuan Music"--An Amateur Music Ensemble |
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作 者 | 蕭雅玲; | 書刊名 | 長庚科技學刊 |
卷 期 | 3 2004.12[民93.12] |
頁 次 | 頁127-145 |
分類號 | 910.64 |
關鍵詞 | 北管子弟團; 新竹市北管戲曲促進會; 新竹都城隍廟; Amateur Peikuan music ensemble; Hsinchu city association for the promotion of Peikuan music; City god temple; Hsinchu; |
語 文 | 中文(Chinese) |
中文摘要 | 「新竹市北管戲曲促進會」是目前新竹市最活躍的北管子弟圈,成立於民國八十四年,並於民國八十九年重新改組,改組後不論在宗廟、野台或是正式藝術舞台的演出,皆展現其活躍力與旺盛的生命力,這在當今傳統音樂藝術普遍式微的情況中,十分罕見。此外,傳統音樂戲曲文化與宗廟的密切關係,在資源上相互支援,可從「新竹市北管戲曲促進會」與「新竹都城隍廟」的合作,獲得最佳印證。因此,藉由探討「新竹市北管戲曲促進會」這個音樂團體與其音樂體驗,來觀察其在音樂社會學的文化意涵。 |
英文摘要 | The "Hsinchu City Association for the Promotion of Peikuan Music" is currently the most active amateur Peikuan ensemble in Hsinchu City. Having first been established in 1995, the Association was reorganized in 2000; since then it has displayed a consistently high level of energy and vitality, whether performing at temples, outdoor performances or in formal venues. Today, when traditional music is in decline in Taiwan, the achievements of the Association are truly remarkable. In Taiwan, traditional music and folk opera have always been closely linked with temples and religion; the two sectors have been mutually supporting. This is reflected in the close collaboration between the Association and the City God Temple in Hsinchu. This paper explores the activities of the Hsinchu City Association for the Promotion of Peikuan Music, examining its cultural significance from the point of view of the sociology of music. |
本系統中英文摘要資訊取自各篇刊載內容。