頁籤選單縮合
題名 | 楚辭體式探論=A Prosodic Analysis of the Poetic Forms of the Chu ci |
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作者 | 陳耀基; | 書刊名 | 漢學研究 |
卷期 | 22:2=45 2004.12[民93.12] |
頁次 | 頁455-483 |
分類號 | 821.91 |
關鍵詞 | 楚辭; 體式; 離騷型; 九歌型; 二一二結構; Chu ci; Poetic form; Li sao; Style; Jiu ge style; 00/0/00 structure; |
語文 | 中文(Chinese) |
中文摘要 | 楚辭和一般的先秦詩相比,特徵明顯,有一定的格律,但可惜歷來研究楚辭格律的著作並不多見。在楚辭中,屬於新創體式的有「離騷型」和「九歌型」兩種。「離騷型」可以分為「○○○○兮,○○○○」和「○○○○○‥‥‥兮,○○○○○‥‥‥」,兩類,而「九歌型」也可以分為「(○) ○○兮○○」和 「○○○兮○○○」兩類。「離騷型」的節奏是「○︱○○︱虛︱○○︱ (兮)」,而「九歌型」則是「(○)︱○○︱兮︱○○」及「○︱○○︱兮︱○︱○○」。韻式方面,「離騷型」和「九歌型」的韻式都是偶數隔句押韻,但「九歌型」還有一種連續押韻的次要韻式。最後,楚辭體式與其他詩體相區別之處,除了「兮」字的特殊用法外,還有「二一二」這種核心結構。 |
英文摘要 | In contrast to other pre-Qin poems, Chu ci 楚辭 poems have rather distinctive features. However, such features have rarely been analysed prosodically. There are two novel styles in Chu ci poems: the Li sao 離騷 style and the Jiu ge 九歌 style. The Li sao style has two sentence patterns: “0 0 0 0 (x), 0 0 0 0” and “0 0 0 0 0... (x), 0 0 0 0 0...”, as has the Jiu ge style: “(0) 0 0 (x) 0 0” and “0 0 0 (x) 0 0 0” , with “0” denoting a Chinese character and “x” the word xi兮. The rhythm of the Li sao style is “0 / 00 / (y) / 00 / (x)” and that of the Jiu ge style is “(0) / 00 / (x) / 00” and “0/ 00 / (x) / 0 / 00” ,with “y” denoting a filler word. The rhyming words in both the Li sao and Jiu ge styles fall on every even-numbered line, but the Jiu ge style has a secondary rhyme-scheme whereby the rhyming words fall on consecutive lines. Finally, apart from the special use of the word xi, what distinguishes the poetic forms of the Chu ci from other poetic forms is their core structure “00/ 0 / 00”. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。