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| 題 名 | 臺灣五○年代長篇小說的樂園意識--以《沒有走完的路》為例=Sense of Paradise in Novels of the 1950s in Taiwan--Take “There is No Road That a Person Can Finish Walking” as Example |
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| 作 者 | 黃玉蘭; | 書刊名 | 臺北師院語文集刊 |
| 卷 期 | 9 2004.11[民93.11] |
| 頁 次 | 頁201+203-221 |
| 分類號 | 863.57 |
| 關鍵詞 | 五○年代; 師範; 長篇小說; 烏托邦; 樂園意識; 1950s; Shi Fan; Novel; Utopia; Sense of paradise; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 五○年代文藝與政治場或互涉性高,王德威以失樂園模式勾勤小說的經營方式,本文以師範的長篇小說《沒有走完的路》為主軸,且透過官方與當文獻紀錄,解析文學作品內臺灣工具性、過渡性的烏托邦特質,進而分析樂園意的失落及其追尋與復歸的過程。 《沒有走完的路》逃逸出現實困居島的鬱悶情懷,臺灣提供政治烏托邦想像之地,大陸則是最終走失的樂園。另因為烏托邦與樂園有本全上的異,本文擬以樂園意識一詞,統攝分析兩者間反映的三層次問題:光復國土政語彙、國族書寫暨原鄉神話。 國府政權以禮運大同篇建構道德價值體系,這跟理想樂園呈現的寓意特徵相符,若純粹以反共文學或家國想像解釋本部小說,筆者認為有未殆之處,故藉由探應烏接邦與藥園的文本內涵轉換,詮釋其深層意涵。《沒有走完的路》流離遷徙,希望指向未來,時間性卻以復反過去終結,並鞏固中心想像秩序,加深樂園意識的追尋與永恆回歸概念,呈現五○年代長篇小說典型的樂園復返模式。 |
| 英文摘要 | In the political environment of the 1950s, there was a deep relationship between the fields of literature and politics. Historically, critics normally regard the 1950s as the peak period of anti-communist literature. This article adopts “There Is No Road That a Person can finish Walking”, a novel written by Shi Fan, as the reference point, and is structured around specific historical events of the 1950s. it utilizes official records from the 1950s to analyze the instrumental and transitional utopia characteristics of Taiwan. this article further analyzes the loss of the sense of paradise and the process by which it searches for, and returns. The sense of paradise in the book “There Is No Road That a Person can Finish Walking” emerges from the pent-up feeling of being trapped residing on an island. Taiwan is characterized as a currently existing utopia, while mainland China is characterized as a lost paradise. The sense of paradise in this article is reflected on three different levels: the legend of the original country, political slogans about recovering the homeland, and writings about the country. Even though the political power of the government spreads moral values and outlines an outlines an ideal paradise based on the ideas from the Courtsey and Universal Brotherhood Chapter of the Book of Rites, it is insufficient to explain the deep meaning of the book by calling it anti-communist literature. This novel moves back and for the in time. It points its hope to the future; however, in the area of chronology, it finishes by returning to the past. It also reinforces the order of fantasy, deepens the pursuit of the sense of paradise and the concept of eternal return. This novel presents the model of the return of paradise that was typical in long novels of the 1960s. The implied meaning of this novel is definitely worth investigating. |
本系統中英文摘要資訊取自各篇刊載內容。