頁籤選單縮合
題名 | 1955∼1970年代陳子福手繪臺語電影海報設計初探=The Preliminary Probe into the Design of Taiwanese Hand-Drawn Movie Posters of Tzu-Fu Chen from 1955 to 1970 |
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作者 | 李億勳; 林怡珊; | 書刊名 | 商業設計學報 |
卷期 | 8 2004.07[民93.07] |
頁次 | 頁345-360 |
分類號 | 497.456 |
關鍵詞 | 電影海報; 臺語; 臺語片; Movie poster; Taiwanese; Taiwanese movie; |
語文 | 中文(Chinese) |
中文摘要 | 電影海報是電影業者宣傳電影的重要媒介之一,就電影宣傳而言,電影海報也一直扮演著舉足輕重的角色,然臺灣的電影海報,從開始至今,海報的發展已呈現豐富多元的面貌,藉由海報畫面中的各種元素組合,可探究出不同時代所投射出的時代趨勢及人文風貌。 本研究係以相關之文獻資料、案例分析的方式,針對1955-1970年代陳子福所繪製臺語電影海報加以探討,試圖從畫面所傳達出的各種符號語彙來重新建構出這一璀璨時期臺語片時代的海報設計表現手法。 本研究之主旨,即歸納出陳子福針對不同類型的臺語片,如何運用各種圖像元素來設計、繪製臺語電影宣傳海報,分析其在不同類型的臺語電影海報創作中所傳達出的視覺語彙,並就設計層面以及視覺傳達的角度加以探討,並試圖提供作為國內臺灣設計史學術界參考與應用以及提供設計業界做為設計實務表現形式上具體參考與深入思考之依據。 |
英文摘要 | Movie posters are one of the most seminal media for movie producers to announce movies, thereby playing a decisive role. As far as Taiwan's movie posters are concerned, their development, as yet, have manifested rich and diverse facets. Thus, it is possible that combination of various elements on movie posters may reflect humanistic landscapes and trends of different periods of time. Combing through pertinent literature and collecting, and then analyzing samples, the study attempted to look into the Taiwanese movie posters hand-drawn by Tzu-Fu Chen from 1955 to 1970 and then reconstructed the designing and expression techniques in that glowing era of Taiwanese movies by investigating the expression of various symbols and lexicons on posters. The aim of the study is to find out how Tzu-Fu Chen, in light of different types of Taiwanese movies, employed a variety of picture symbols to design and draw Taiwanese movie announcement posters, and to analyze the visual lexicon expressed in designs of different types of Taiwanese movies posters. In this way, it is hoped that the study may not only offer the academia references, but also provide the design industry some concrete consideration and principles of practice. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。