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題 名 | 拼貼美學於實驗動畫影片之初探=The Exploration in the Early Part of Experimental Animation in Collage Esthetics |
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作 者 | 李麗娟; 郭挹芬; | 書刊名 | 商業設計學報 |
卷 期 | 8 2004.07[民93.07] |
頁 次 | 頁181-192 |
分類號 | 987.85 |
關鍵詞 | 動畫; 實驗動畫; 拼貼動畫; 拼貼藝術; 達達; 超現實主義; Animation; Experimental animation; Collage animation; Collage art; DADA; Surrealism; |
語 文 | 中文(Chinese) |
中文摘要 | 動畫是影像化的藝術,始自於一個意念、一種情緒、一種感覺,經由巧思的編劇與技術的整合,將想法轉化成看得見的影像。亦即將個人的意念轉化為動態化影像,而任何一種表現模式對想像力都是一種獨特的挑戰。而動畫創作的養成,有時是源於知識、技術上的理性思維或生命所及的感性思維。本研究試著從達達與超現實的拼貼美學及實驗動畫之間的互動關係作探討與了解,期能對動畫創作者從事實驗動畫創作時,在思考方式、創作表現形式及影像敘事的藝術能有所啟發。並藉拼貼美學的論述之研析探討實驗動畫獨特的想法與創意,進而開啟異想天開的幻想世界之傳達意義。 |
英文摘要 | Animation is an art of image. It begins from an idea, an emotion, a feeling. It turns a thought into an image that you can see by skillful scenario and integrated technology. It is that you convert individual idea into dynamic image. The form that you represent is unique and a challenge of imagination. The development of animation that you innovate comes from rationality of knowledge, technology or the perceptual thought that you have experienced. This research discusses and comprehends the interaction between the collage of DADA, surrealism and experimental animations. The form of esthetics that I refer to in this research, I anticipate animators can be enlightened while they are engaging in the experimental animations, the way of thinking, the way they perform and the art they represent through the image. Simultaneously, I will explore the unique idea and innovation of experimental animations by research of Collage Esthetics, lead to a fancy-dreamed world. |
本系統中英文摘要資訊取自各篇刊載內容。