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題名 | Reproducing Paintings with Mondrian's Style during the Period of 1921∼1933=再現蒙德里安1921∼1933時期之繪畫風格 |
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作者姓名(中文) | 陳俊瑋; | 書刊名 | 國立臺北師範學院學報. 人文藝術類 |
卷期 | 17:2 民93.09 |
頁次 | 頁105-120 |
分類號 | 947 |
關鍵詞 | 蒙德里安; 型態建構; 風格演算; Piet Mondrian; Form generation; Style computing; |
語文 | 英文(English) |
中文摘要 | 蒙德里安是De Stijl風格運動之重要的領導人物之一,他的作品被視為是新造型主義(Neoplasticism)的代表且影響該時期歐洲之藝術史深遠。本文主要以蒙德里安於1921~1933期間之創作為探討對象,期望藉由其創作概念之分析、作品草稿之解構與相關評述文章,整理出代表其個人創作觀點的繪畫風格。研究中發現,蒙德里安之創作過程可分三階段,分別為初步的放置垂直線與水平線,接著為放置三基本色,最後再進一步調整兩者。而本文最後將藉由規則之程式化之實作以呈現蒙德里安於1921~1933期間創作之再現的可行性。 |
英文摘要 | Piet Mondrian was one of the leaders of the De Stijl artistic movements. His paintings were representative of Neoplasticism and affected deeply European artistic creation at that time. In this paper, Mondrian's painting style during the period of 1921~1933 was studied. By analyzing the ideas behind his creations, decomposing his sketches and consulting to critique literatures by specialists, this study tried to extract the rules used in Mondrian's paintings that expressed his personal views. According to the findings, this study speculated that Mondrian's painting process in the period of 1921-33 could generally be divided into three stages. Firstly, vertical and horizontal lines were arranged, then, three primary colors plus black were disposed, and lastly, these two parts were further harmonized. With a demonstrating program utilizing the rules compiled, a painting of Mondrian's style during 1921-33 can be readily generated within no time. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。