頁籤選單縮合
題 名 | 論世界各地的皮影戲及其相互關係=Shadow Theaters of the World |
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作 者 | 陳凡平; | 書刊名 | 民俗曲藝 |
卷 期 | 145 2004.09[民93.09] |
頁 次 | 頁123-170 |
專 輯 | 中國傳統戲曲研究專輯 |
分類號 | 986.8 |
關鍵詞 | 中國皮影; 印尼皮影; 印度皮影; 土耳其皮影; 歐洲皮影; Chinese shadow theater; Wayang; Indian shadow theater; Karagos; European shadow theaters; |
語 文 | 中文(Chinese) |
中文摘要 | 本文考察了世界上包括印度、印尼、東南亞、埃及、土耳其、中國和歐洲皮影戲的起源和它們之間的相互關係,對以前提出的一些理論進行了討論和分析,並提出了一些其他的可能性。儘管世界各地的皮影戲傳統各不相同,但它們之間存在著千絲萬縷的聯繫,並相互影響著。本研究提出:皮影戲也許起源於中亞或印度。非洲、亞洲和東南亞之間的亞歐大草原和海洋也許就是通道,它們把分散各地的皮影戲聯繫在一起,並且有些影響可能還不僅是單向的。 |
英文摘要 | This paper examines the origin of the shadow theaters of the world including those of India, Indonesia, Southeast Asia, Egypt, Turkey, China and Europe, and the relationships among the various traditions. Theories which have been advanced are discussed and analyzed, along with suggestions of other possibilities. Although all the shadow theater traditions of the world are highly distinctive, many links and influences have existed among them. This study suggests that the shadow theater may have originated in either Central Asia or India. The Euro-Asian steppe and the seas between Africa, Asia and Southeast Asia may have served as avenues that linked disparate shadow traditions, and some influences were probably not unidirectional. The paper also refutes numerous theories concerning the relationship between Chinese Shadows and those of the rest of the world. |
本系統中英文摘要資訊取自各篇刊載內容。