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題名 | 「歌仔」是歌仔戲音樂的主要聲腔="GeZi" is the Main Tune of the Taiwanese Opera Music |
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作者姓名(中文) | 邱曙炎; | 書刊名 | 臺灣戲專學刊 |
卷期 | 9 2004.07[民93.07] |
頁次 | 頁181-231 |
分類號 | 983.33 |
關鍵詞 | 聲腔; 歌仔; 歌仔調; 改良調; 七字仔; 雜碎仔; 程式化; 閩臺風格; 一曲多腔; Tune-pattern; Gezi; Gezi tune; Improved tune; Seven-word melody; Mixed-piecess melody; Patternized; Minnan-Taiwan style; One song with several tunes; |
語文 | 中文(Chinese) |
中文摘要 | 歌仔戲音樂是以【歌仔調】和【改良調】所唱的「歌仔」為主要聲腔。它從民歌小調、「說唱歌仔」到歌舞戲的「歌仔」,發展成閩台人民喜愛的歌仔戲。「歌仔」已具有戲曲程式化特點和濃郁的閩台音樂特色,它是閩台人民共同創造的一支優秀的戲曲聲腔。 |
英文摘要 | Gezi, including Gezi tune and the lmproved tune is the main tune of the Taiwanese (Gezi) Opera music. It's developed from folk song melody, and “song and dialogue” Gezi to the "sing and dance" Gezi, and became the Taiwanese (Gezi) Opera which is loved by Minnan and Taiwan people. “Gezi”is a patternized opera with full-bodied Minnan and Taiwan characteristic music, it's an excellent opera tune which is co-created by the Minnan and Taiwan People. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。