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題名 | 中國先鋒小說中的廢墟寓言--從蘇童、余華的歷史敘事論其後現代的意義=The Allegory of the Ruins in the Chinese Avant-garde Novel: A View on the Meaning of Post-modernity in the Historical Narrative of Su Tong and Yu Hua |
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作者 | 陳雀倩; | 書刊名 | 淡江人文社會學刊 |
卷期 | 19 2004.06[民93.06] |
頁次 | 頁29-68 |
分類號 | 827.3 |
關鍵詞 | 先鋒小說; 廢墟寓言; 蘇童; 余華; 歷史敘事; 後現代; 格非; 懷舊; 血的寓言; 家族傳奇; Su Tong; Yu Hua; Ge Fei; Nostalgia; Post-modern; The avant-garde novel; The bloody allegory; The family legends; Historical narrative; The allegory of the ruins; |
語文 | 中文(Chinese) |
中文摘要 | 本文就蘇童、余華二人對於史╱鄉史的追溯,包含對於南方宅院的頹圮與地主的落拓傳奇的敷織,謳呼出一則一則荒涼、逝去的古老的傳奇,與頹敗凋零的廢墟殘景,其中包含家╱國歷史衰亡的寓言,以血腥來塗抹灑繪中國現代╱當代的政治寓言,以示對錯誤歷史的責難,與舔撫民族苦勤殆盡的創痕。並進一步探討蘇童等先鋒作家(包括余華、格非)對於空間的錯位與虛擬,在頹敗及荒涼的宅院及家鄉的廢墟寓言中,他們如何填滿匱乏及晚到者的情緒?在在於其中的懷舊感與凝固的情緒如何被引發,在悼傷的情景改裝儀式中,背後包含了怎樣的文化意涵?在不斷複製的歷史修辭中,講述了什麼故事?掩藏著怎樣的文化意涵及政治潛意識? |
英文摘要 | A number of legendary tales are recounted by Su Tong and Yu Hua when tracing the fading trajectory of their families/hometowns, including the ups and downs of the family mansions as well as the adversity of landlords in southern China. Key elements in the article are the origins and ends of the families/nation involving violent political allegory in modern/contemporary China that point out the erroneous past while remedying the nation, which has undergone repeated ordeals. Secondly, misplaced space and virtual structure schemed by Su Tong and other avant-garde writers (Yu Hua and Ge Fei) are highlighted in the declining families and country legends. Then, how can they satisfy the lack and those who have come late? How can nostalgia and coagulated feelings be triggered? What kind of a cultural meaning stands behind the mourning scene? What to the repeatedly reproduced terms of the history narrate? What kind of post-modernity and political unconsciousness remains behind all this? |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。