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題 名 | Colonialism as Spectacle in the Jacobean Masque=殖民場景:傑克賓時代宮廷舞劇中之殖民主題 |
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作 者 | 王儀君; | 書刊名 | 中山人文學報 |
卷 期 | 18 民93.春 |
頁 次 | 頁93-107 |
分類號 | 984.941 |
關鍵詞 | 傑克賓時代宮廷舞劇; 班.強生; 國家主義; Jacobean masque; Ben Jonson; Nationalism; The Masque of Blackness; The Irish Masque of Court; Prince Henry's Barriers; |
語 文 | 英文(English) |
中文摘要 | 英國十七世紀殖民聲浪開展,殖民主題見於許多文學作品之中,標榜宣導主權的宮廷舞劇順勢強化了英國王室對於國家主體與殖民客體的兩極思維。英 國十七世紀宮廷舞劇是一種戲劇模式,多半與王室慶典和宮廷迎賓活動相關,這些耗資費時卻是絕佳的宣傳國勢的場所經常成為英國對王權及主權表白的最佳處所。本文從寶嘉康 蒂(Pocahontas)為宮廷舞劇之座上賓引言探討當時呈現殖民主旨的幾個重要的宮廷舞劇,如《黑之宮廷舞劇》,《愛爾蘭之宮廷舞劇》等,並加以說明十七世紀主權建構時集體 之文化記憶與殖民想像。 |
英文摘要 | In England during the Renaissance, courtly entertainments and ceremonies were closely linked with the establishment and maintenance of royal sovereignty. A major theatrical genre, the masque, defined as “the appearance of a group of noble personages dressed in elaborate disguise to celebrate a particular occasion and to honor their monarch,” utilized spectacle as a symbolic representation and vindication of authority. In its function as a ceremonial arena for ritual exchange between monarch and courtier, the spectacle embodied in the masque became a fool of state. Of the many concepts involved in the demonstration of imperial power, one of the most significant historically was that of colonialism, revealed in such examples as The Irish Masque of the Court. Although usually considered as a dramatic genre, the masque reflects a conscious international policy of utilizing grandeur, magnificence, and the display of power as symbols of the desire to dominate and control. |
本系統中英文摘要資訊取自各篇刊載內容。