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題 名 | 上古「韻部」析論=The Analyses on Pre-Historical Rhyme |
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作 者 | 葉鍵得; | 書刊名 | 應用語文學報 |
卷 期 | 5 2003.06[民92.06] |
頁 次 | 頁57-83 |
分類號 | 802.41 |
關鍵詞 | 韻部; 成均圖; 對轉; 旁轉; 古音三十二部; Rhyme class; Chang Yuen Tu; Archaic Chinese Thirty-Two classes; Duei Zhuan; Pang Zhuan; |
語 文 | 中文(Chinese) |
中文摘要 | 上古尚未有韻書,而《詩經》及古代韻文確有押韻,後人每稱之為「韻部」,習以為常,甚少去注意「韻部」的內含及由來,緣此,筆者分析「韻部」形成的由來,釐定它的含義,並分析《大學國文》所收錄《詩經》五首詩用韻的情形。 剖析上古用韻,必會涉及對轉、旁轉,文中也介紹孔廣森「陰陽對轉說」及章太炎先生的「成均圖」,以便了解對轉、旁轉的原理,並探討〈成均圖〉的作用、優點與缺失。文末並探討韻部、韻攝、韻類、韻目諸名稱的含義,並比較它們範疇的大小。 同時,為方便參稽、使用,文後附錄有陳新雄教授古音三十二部及對轉、旁轉資料。 |
英文摘要 | It dosesn't have Rhyme Book in the pre-historical times, but it does rhyme on the "The Book of Odes" and some other ancient rhythmic compositions. The latter people often call them "Rhyme Class" though, seldom pay attentions to notice their contents and where are they come from. For the reasons above, I clarified the resources how "rhyme Class" formed, set up its definitions and analyzed the rhymes of five poems on "The Book of Odes" which were adapted in the "The Selections of the college Sinology". It would refer to the "Duei Zhuan" and "Pang Zhuan" when we analyze pre-historical rhymes. So, in the essay, first, I introduce Kung Kuang Sen's "Yin Yang Duei Zhuan" theory and Zhuang Ta Yian's "Chang Yuen Tu" in order to understand those theories. I also discuss the functions, good and bad points of the latter. At the end of it, I look into the different definitions about "Rhyme Class", "Rhyme Group", "Rhyme Mu", "Rhyme Lei" and compare the fields of them. For the conveniences of the references and uses, I append Prof. Chen Hsin Hsung' "Archaic Chinese Thirty-Two Classes" and the data of Duei Zhuan" 、 "Pang Zhuan" at the appendix, by the way. |
本系統中英文摘要資訊取自各篇刊載內容。