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題 名 | 徐渭繪畫理論與創作實踐之探討=A Study of the Painting Theory and Creativity Practice of Hsu Wei |
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作 者 | 王允端; | 書刊名 | 高雄師大學報 |
卷 期 | 15:2 2003.12[民92.12] |
頁 次 | 頁543-566 |
分類號 | 940.98 |
關鍵詞 | 徐渭; 繪畫理論; 繪畫創作; Hsu Wei; Painting theory; Painting creativity; |
語 文 | 中文(Chinese) |
中文摘要 | 明代中葉以後,由於商品經濟的繁榮,市民階層逐漸壯大,作為文藝裝點的繪畫作品需求量遽增;而王陽明心學的風靡天下,不僅推動了個性解放思潮,更鼓勵了自由表現的繪畫創作風氣。影響所及,繪畫創作與理論同步發展,顯現出空前繁榮的景象。在文人畫成為畫壇主流的風潮之下,畫家得以恣意揮灑筆墨的寫意花鳥畫,尤其具有代表性。 才高學富的徐滑,在繪畫理論與創作兩方面均有極高的成就;其運筆用墨縱橫淋漓、盡顯本真性性、造形高度概括的水墨大寫意花鳥畫,大幅提昇了繪畫藝術的境界,影響深遠。徐滑主張不囿成法、本色自然、舍形悅影、筆墨並重的繪畫理論,則與其繪畫作品互為表裡相得益影,值得相互印證深入探討。 |
英文摘要 | After the middle of Ming Dynasty, the demands of painting works for literature and art decoration increased rapidly because of the prosperity of commerce and economy and the gradual growth of the bourgeoisie. Meanwhile, Wang Yang Ming's nationally popular philosophy not only caused the trend of personality liberalization but also encouraged free expression of painting creativity. Therefore, development of painting creativity together with theory prospered extraordinarily. As painting of literati became the dominant style in the field of painting, the "Bird-and-Flower Painting," in which painters expressed their own tastes to the utmost limit, was a typical style. Hsu Wei as a knowledgeable scholar stands out both in painting theory and creativity. By using writing brush with ink freely, he expressed himself thoroughly. Also, his influential ink wash "Bird-and-flower Painting" sketching only general shape upgraded the art of painting. Hus Wei wanted to express his true emotion naturally without being confined by the tradition and set rules. Moreover, his painting theory of general shape instead of concrete image and his emphasis on both writing brush and ink were closely related to his painting works. This paper reveals Hus Wei's painting theory and creating practice of his painting works. |
本系統中英文摘要資訊取自各篇刊載內容。