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題 名 | Government Policy and Traditional Performing Arts in the People's Republic of China=中華人民共和國國家政策與傳統表演藝術 |
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作 者 | 楊沐; | 書刊名 | 民俗曲藝 |
卷 期 | 141 2003.09[民92.09] |
頁 次 | 頁55-94 |
專 輯 | 「亞洲各國之文化政策與傳統表演藝術」專輯 |
分類號 | 901.6 |
關鍵詞 | 國家政策; 傳統表演藝術; 中華人民共和國; 中國共產黨; 經濟改革; Government policy; Traditional performing arts; People's Republic of China; Chinese Communist Party; Economic reform; |
語 文 | 英文(English) |
中文摘要 | 本文論述中華人民共和國 (香港地區除外) 的國家政策與傳統表演藝術之間的關係。為使讀者對所述現狀有更深的了解,文中對該國1949年立國之前的有關情況亦有簡略回顧。作者不僅論述直接針對傳統表演藝術的國家政策,而且審視到一些易被忽略的黨政方針,例如與傳統表演藝術似乎並無直接關聯的其他政策,包括該國的少數民族政策。實際上那些政策對全國的傳統表演藝術有相當大的影響。作者在論述中不限於介紹性的描述,而對有關情況作了分析,並提出一些相關論題進行研討,涉及意識形態、現代主義、國家主義、商業化和社會變革等方面。 |
英文摘要 | This article deals with the situation regarding government policy and traditional performing arts in the People’s Republic of China (PRC) excluding its Hong Kong region. For a better understanding of the situation relevant deve10pment before 1949 (the year when the PRC was established) is also briefly reviewed. The author not only pays attention to government policies directly targeting traditional performing arts, but also examines some easily neglected aspects, such as government policies in general and policies that may not appear relevant to the performing arts induding the policies toward minority ethnic groups in China and their cultures. These policies have substantially affected the traditional performing arts in that country. Not content with simply depicting relevant situations and providing information, the author also analyzes the situation and addresses and discusses a number of re1evant issues concerning such aspects as ideology, modernism, nationalism, commercialism and social transformation. |
本系統中英文摘要資訊取自各篇刊載內容。