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題 名 | 女性自傳文學的書寫意識與書寫特質--以李清照〈金石錄後序〉為剖析文本=Distinct Features of Women's Autobiography: Li Qing-zhau's “Epilogue to a Catalogue of Stone and Bronze Inscriptions” |
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作 者 | 李麗華; | 書刊名 | 漢學論壇 |
卷 期 | 2 2003.06[民92.06] |
頁 次 | 頁13-28 |
分類號 | 826.6 |
關鍵詞 | 自傳; 李清照; 金石錄後序; 趙明誠; 金石錄; Autobiography; Li Qing-zhau; Bronze inscriptions; |
語 文 | 中文(Chinese) |
中文摘要 | 自傳以書寫個人的主體性與生歷程為主要的表現重點。以此為出發點研究女性自傳文學是認識女性文學絕佳的途徑之一,女性在歷史上缺席的情唬向來嚴重,正史的書寫特徵亦每以善、惡二元的對立方式將女性的形象僵固化,惟有以女性之筆書寫女性,甚或以女性自我書寫自身的生命歷程,正可發出真正的聲音。中國傳統對女性文學極為忽視,遑論以女性自我為書寫主體的自傳文學;李清照(1084-1155?)因符合男性文學傳統的書寫同意識,普遍被著錄於自傳選文中,但當中所流露出的女性自傳書寫意識與特徵,恰是另一種在男性自傳文學傳統下的弔詭呈現。本文擬以李清照的自傳文〈金石錄後序〉為分析文本,以解析女性自傳的書寫意識與書寫特質,作為認識中國女性自傳文學與女性歷史定位的出發點。 |
英文摘要 | Women’s life stories have been all but absent form China’s orthodox history. In the precious few moments when women’s portraits do appear, they are usually sketched with a clear-cut good and evil dualism. Traditional women’s writings, those of autobiographical nature in particular, though not free form history/man’s dominance in their ways of speaking, provide much truer pictures of how women live. Li qing-zhau’s [李清照,1084-1155?] has been included in many anthologies of traditional women’s autobiographical writings. The inclusion testifies the Epilogue’s identity consciousness as acceptable to men. But the piece also manages to represent a distinct quality of women’s self consciousness rarely seen in its time. This article analyzes the text to reveal Li’s touching dialectics of self and non-self. |
本系統中英文摘要資訊取自各篇刊載內容。