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題 名 | A Romantic Grotesque: Robert Burns's Tam o'Shanter=浪漫的怪誕:論羅伯.伯恩斯的湯姆奇遇 |
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作 者 | 鄭冠榮; | 書刊名 | 興大人文學報 |
卷 期 | 33(上) 民92.06 |
頁 次 | 頁425-439 |
分類號 | 873.51 |
關鍵詞 | 模稜兩可; 嘉年華; 民俗; 怪誕寫實主義; 眾聲喧嘩; 在地知識; 多元聲音; Ambivalence; Carnival; Folk humor; Grotesque realism; Heteroglossia; Local knowledge; Polyglossia; |
語 文 | 英文(English) |
中文摘要 | 巴克汀在對話的想像(The Dialogic Imagination)和拉伯雷的世界(Rabelais and His World)兩本書中不斷提到蘊藏在嘉年華中的民俗,自十六世紀以降就流失了它深層及豐富的意涵。同時他特別提及嘉年華會的精神在怪誕寫實主義(grotesque realism)中被發揮得淋漓盡致,而此所謂怪誕寫實主義正是巴克汀用來破解拉伯雷卡岡吐哇(Gargantua)和潘得鼓爾(Pantagruel)兩書中困難的意象的理論。一直到浪漫時代,巴克汀直陳說浪漫主義的文人已失去了表達怪誕主義豐富意義的能力,因為他們太著重表達世界中令人懼怕的事物,並將此懼怕傳達給讀者。此篇論文一方面用巴克汀的理論來閱讀浪漫詩人羅伯.伯恩斯(Robert Burns)的作品湯奇遇(Tam o’Shanter);另一方面也用諸如酒醉、曖昧、修辭和敘述點來檢視該作品特殊的內涵,也嚐試把該作品中所謂的民俗(folk humor)勾勒出來。 |
英文摘要 | Mikhail Bakhtin repeatedly maintains in Dialogic Imagination and Rabelais and His World that the folk humor inherent in carnival had forfeited its full and resourceful meanings since the sixteenth century. He especially points out that a full-fledged carnival spirit is expressed in terms of grotesque realism, a theory that he uses to decipher most of the difficult images in Gargantuan and Pantagruel written by the sixteenth French writer Francois Rabelais. Down to the Romantic age, the Romanticists were unable to articulate the original meanings of grotesque realism, because they persisted to “express fear of the world and seek to inspire their reader with this fear.” This paper on the one hand is to read Tam o’Shanter by Robert Burns, one of the Romantic poets, in the light of Bakhtin’s idea. On the other, it also examines the ghost tale in various perspectives of drunkenness, ambivalence, use of rhetoric, and the narrating to prove that it is not only fear that this work has tried to provoke, but also the Scottish local folk humor that it tries to say. |
本系統中英文摘要資訊取自各篇刊載內容。