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題名 | 王建《宮詞》探論=Study and Comment on Wang-Chien's Court-Tzu |
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作者姓名(中文) | 李建崑; | 書刊名 | 興大人文學報 |
卷期 | 33(上) 民92.06 |
頁次 | 頁45-68 |
分類號 | 851.441 |
關鍵詞 | 王建; 宮詞; 宮怨; Wang Chien; Court-Tzu; Court hatred; |
語文 | 中文(Chinese) |
中文摘要 | 宮廷號稱「禁苑」,歷代宮廷內部情形,史家不可能詳盡記載。雜史、筆記間有記述,也大多零散瑣碎。而歷代流傳之宮詞、宮怨詩,雖然是使用文學形式傳述寄廷生活,或者僅僅從詩人之主觀角度代言宮女生活與願望,卻正好填補歷史資料所無法充分提供之功能,使後世讀者的以略窺宮廷之梗概。 中唐詩人王建,其《宮詞》一百首是其中最突出者。王建以七言絕句組詩形式、高達一百首的數量,使王建對宮廷作水多層次、全方位、具深度之描寫。舉凡寄中景、宮中事、宮中人、宮中情,皆涵括其中。形象性地展示唐代元和(806-820)、長慶(821-824)、寶曆(825-827)間宮廷生活實況。 誠中除了大量描述日常瑣事,也展現許多觀樂場景。從中不難管窺唐代宮廷婦女生活狀貌。此外,王建還以冷靜的筆觸,悲憫之心態,對宮女感情,作了大量描述,可知王建對宮廷婦女,懷有特別關懷。更難能可貴的是:王建還寄寓深層的諷諭。使他在詩歌藝術上,突破了唐代宮苑詩之傳統格局,晉升至其他詩人難以企及的地位。 |
英文摘要 | As court is to be known as an imperial garden, so that its internal circumstances of successive generations’ court were impossible to be recorded by historian in detail. But most of them were scattered and fragmentary, even though they were sometimes recorded and narrated in personal recording of happenings, sketchbooks. Although the Court-Tzu and poems of resentment in which were spread from generation to generation, had ever been in the form of literature to disseminate the court-life, or were to speak the life and desire of court ladies in waiting which poets were only holding their own subjective opinions, however such description could make up a deficiency of function that historical materials had never been able to supply, and could let the descendant readers be able to see briefly an outline of a court as well. “One hundred Court-Tzu” written by Wang Chien who was a poet in the middle of Tan Dynasty was the best one among them. That Wang Chien resorted to the form of composing verses with seven characters, and wrote in quantity one hundred Tzu had made Wang Chien accomplish a multiple-order, all round, deep narration of the court. Generally speaking, that all glance, affairs, people, emotion in the Court wee included in it. It was symbolically to reveal the reality of Court’s life during the period of Yuan-Ho (806-820), Chang-Chien (821-824), Pua-Li (825-827) in Tan Dynasty. Besides description of general trifles in quantity, it appeared much scenes of gaieties that were not so difficult to disclose briefly the living situation of the ladies in court in Tang Dynasty. Besides, Wang Chien had also been with his quiet pinpoint and sorrowful mood to describe in quantity the ladies, emotion that means that Wang Chien had thought of the ladies in Court with much concern. And the more rare and commendable to be is that Wang Chien had ever expressed his felling to a deep allegory that let him on the art of poem-song break through the traditional style of palace-poems in Tang Dynasty and sublimate him into a higher position in the field that the other poets were unable to get it. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。