頁籤選單縮合
| 題 名 | 織錦畫色彩表現技法之探討=A Study on Color Presentation of Tapestry |
|---|---|
| 作 者 | 林麗玉; 汪鼎芳; | 書刊名 | 紡織中心期刊 |
| 卷 期 | 13:2 2003.04[民92.04] |
| 頁 次 | 頁164-175 |
| 分類號 | 901.8 |
| 關鍵詞 | 高布林織錦畫; 並置混色; 藏經顯緯; Gobelin; Juxtaposing color mixing; Hidden warp and visible weft; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本研究乃是用已經染色完成之彩色紗線,針對歐洲傳統獨特且歷史悠久的織錦畫高布林(Gobelin)混色技法做相關性的實務探討,依照原設計圖上之色彩計劃用色紗一一混合配置出各色塊所需之緯紗以此能詮釋設計圖色稿上豐富華麗的色彩,並透過本專題研究中手工織造之作品「傳送」印證其寫真的配色原理。實作裡用於織錦畫的配色技法稱為「紗線並置混色技法」,其重點在於每一色塊之色相均由互補色及相似色組合而成,也就是說每一束縛紗都是經由各色紗線根據之比例不同互混而成的,因此緯紗便能嚴謹細膩的表現出畫面上之色彩明暗、漸層及多變化性之線條、輪廓等構圖寫真性。本研究探用高布林(Gobelin)藏經顯緯的編織技術除能控制單根經紗織造外更能讓織造者充分掌握隨時換色的自由。 |
| 英文摘要 | The study explores the practice of color mixing in traditional European Gobelin, which has a long history in using dyed yarns of different colors. Weft yarns for each color block are mixed and arranged with colored yarns according to its color plan in the design drawing, to interpret the glamorous colors in the drafts. The theory of authentic color matching is tested through "Transfer ring", and a hand woven piece is made in this project. The juxtaposition of yam color mixing of tapestry in practice focuses on the hue of each color block comprises complimentary and analogous colors. In other words, each bundle of weft yam combines varying number of different colored yams. As a result, the weft yarns present rigorous and subtle construction authenticity, such as color shading and graduation on the screen, diversity of lines and silhouettes. The unique weaving technique of Gobelin - hidden warp and visible weft, is used in this study. Thus, not only it is possible to control weaving of single warps, but also weavers have full freedom to control color changing at any time. |
本系統中英文摘要資訊取自各篇刊載內容。