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題 名 | 吳鎮墨竹畫創作理念、手法及審美趣味之探討=A Study of the Concept of Creation, the Techniques and the Tastes of Appreciation of the Beauty of Wu Chen's Painting of Ink Bamboo |
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作 者 | 王允端; | 書刊名 | 德明學報 |
卷 期 | 20 2002.12[民91.12] |
頁 次 | 頁207-222 |
分類號 | 944.6 |
關鍵詞 | 吳鎮; 墨竹畫; 創作; 審美; Wu Chen; Painting of ink bamboo; Creativity; Appreciation of the beauty; |
語 文 | 中文(Chinese) |
中文摘要 | 北宋時期,蘇軾等文人提倡以文學觀念從事繪畫創作,將文學趣韻作為繪畫審美 標準,使繪畫與文學巧妙的融合一體;在繪畫史上興起了文人畫風潮,至元代而大放光芒。 元代文人畫家普遍強調抒發主觀感情和娛悅情性的創作理念,追求意境清空、神韻佳妙的審 美趣味;並以內蘊深刻的筆勢,變化豐富的墨韻來表現其技法;因此,富於象徵性與抒情性 的墨竹畫得以蓬勃發展。其中以抗俗孤高的文人畫家吳鎮,最具代表性。本文係從吳鎮題寫 於墨竹畫、竹譜以及墨竹譜上之詩文進行探討,並對照其墨竹畫作品,以期呈現吳鎮墨竹畫 創作理念、手法及審美趣味之內涵所在。 |
英文摘要 | During the northern Sung Dynasty, Su Shih and several other literati advocated painting based on the concept of literature. They regarded the literary tastes as the standard of appreciation of the beauty and integrated painting with literature skillfully. Their paintings foreshadowed the trend of literati painting in the history of painting, which flourised in Yuan Dynasty. The painters of literati painting in Yuan Dynasty generally laid stress on the expression of their subjective emotion and the concept of creation to entertain people. They pursued the pure and marvelous tastes of appreciation of the beauty; they also showed their techniques by meaningful strokes and various shades of ink. Therefore, the symbolic and expressive Painting of Ink Bamboo developed greatly. Among the painters of literati painting, Wu Chen, both aloof and eccentric, was the most typical one. The paper studies the poems and articles written by Wu Chen on the "Painting of Ink Bamboo," "bamboo manual" and "Manual of Ink Bamboo." By collating his paintings of ink bamboo, the paper reveals the concept of creation, the techniques and the tastes of appreciation of the beauty of Wu Chen's painting of ink bamboo. |
本系統中英文摘要資訊取自各篇刊載內容。