頁籤選單縮合
題 名 | 北宋文人畫論與文論的內涵初探--僅以創作理念、手法及審美標準為探討對象=The Literati's Painting and the Literary Theory in the Northern Sung Dynasty: A Study of the Concept of Creation, the Techniques and the Standard of Appreciation of the Beauty |
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作 者 | 王允端; | 書刊名 | 德明學報 |
卷 期 | 19 2002.06[民91.06] |
頁 次 | 頁379-398 |
分類號 | 944.951 |
關鍵詞 | 文學; 繪畫; 創作; 審美; Literature; Painting; Creativity; Appreciation of the beauty; |
語 文 | 中文(Chinese) |
中文摘要 | 北宋時期,由於經濟的高度發展,加以帝王的獎勵與提倡,文化空前發達。尤其 在繪畫方面,大批文人的積極參與,形成繪畫理論發展的高峰期。其中提倡文學改革的歐 陽修所領導的文人集團,對於繪畫理論的建立有其主導性。文化素養深厚的文人們,在文 學與繪畫兩方面,經由創作、鑑賞及相互題跋的實踐過程中,當已萌發文學與繪畫兩種 不同形式的藝術,就理論上互感相通、彼此整合的可能性。 大體而言,北宋文人的繪畫理論,是在「尚意」的文藝思潮籠罩之下,以文學改革的新觀 念來進行創作,並將文學趣韻作為審美的標準,以追求純粹的藝術美。本此,北宋文人繪 畫與文學理論的內涵深具相通性的特色,更顯而易見。 |
英文摘要 | During the Northern Sung Dynasty, owing to the highly developed economics and the emperors' encouragement and advocacy, cultural activities, especially painting, prospered extraordinarily. The enthusiastic participation of the literati resulted in culmination of the painting theory. Ou-yang Hsiu, a very important figure for the foundation of the painting theory, led the literati to advocate the literary revolution. It is possible that the highly cultivated literati had integrated literature with painting by the process of creating, appreciating, and writing a postscript for one another. |
本系統中英文摘要資訊取自各篇刊載內容。