頁籤選單縮合
題 名 | 男性情色幻想的美典--溫庭筠詞的女性再現=The Aesthetics of Male Fantasy: The Representation of Women in Wen T'ing-yun's Tz'u Poetry |
---|---|
作 者 | 張淑香; | 書刊名 | 中國文哲研究集刊 |
卷 期 | 17 民89.09 |
頁 次 | 頁69-138 |
分類號 | 821.9341 |
關鍵詞 | 商品拜物; 偷窺狂; 反射鏡; 符號消費; 象徵秩序; 文本快感; Commodity fetishism; Voyeurism; Speculum; Sign consumption; Symbolic order; The pleasure of the text; |
語 文 | 中文(Chinese) |
中文摘要 | 從流行歌曲的消費與慾望、性別、意識形態、文化制作的互動關係此一思考架構來探討飛卿詞中的女性再現之美學策略及其涵蘊的性別意義,可以發現飛卿詞以製作艷麗的女性肖像為特色,其目的乃專為滿足當時流行歌曲的製作者與消費者――男性――的快感與需要。就飛卿詞的空間表現而言,閨閣、畫樓與庭院這些孤絕疏離的女性生活場域,並非真實自然的空間,而是針對男性慾望有意構設的「藏嬌之所」。這些空間或強調視覺的掩蔽與揭現,或突顯其高聳倚望的效果,或展現春來春去的物色變化,莫不為了迎合男性的色慾窺視、自戀心理、性別優越感與父權的意識形態。而就其女性意象而言,其妝扮與服飾、五官與身體、行動與情態、聲音與語言,也皆被再現為服役於男性慾望的統一制式類型。顯示了被束縛在男性象徵秩序框架中的女性形象,只是一種戀物,一種符徵,一種被權力與表徵的策略所支配的樣板構作。飛卿詞的這種再現策略,結合綺麗精緻的風格,正切合流行歌曲之標準化包裝女性情色為消費商品,提供感官刺激,即時消費,情慾想像與意識形態滿足的娛樂效應。這種特為男性全方位需要而訂做的女性肖像,不僅是男性情色幻想的虛構,也是一種性別政治的建構。以女性肖像作為娛樂消費的應歌背後,實隱藏著文化制作的玄機。 |
英文摘要 | This article attempts to shed new light on the representation of women in Wen T'ing-yun's Tz'u poetry by drawing on theories of popular culture, consumption, psychoanalysis, and gender studies. Tz'u poetry is a form of popular song and entertainment pertaining to woman. Written and consumed by men, Tz'u poetry is a locus of gender politics and cultural production. I analyze the artistic devices by which women are represented in Wen T'ing-yun's Tz'u poetry to reveal its sexual and political implications. With their characteristic visual imagery, delicate sensibility, distanced objectivity, and implicit association, the exposition of settings and the description of images of women in Wen T'ing-yun's lyrics are highly standardized to serve the needs of the male consumer. In most cases, the boudoir, tower, and garden are the typical settings in which women are staged and confined. These feminine spaces not only isolate women from the outside world, but are designed for obsessive male voyeurism and possession. Moreover, the women in Wen T'ing-yun's lyrics are packaged as a fetish commodity to satisfy men's institutionalized wants. Women's clothes and ornaments, appearances and bodies, actions and gestures, and voices and speech are all eroticized and objectified to gratify the male gaze. When men consume popular songs, they also consume the images of women in the songs and obtain satisfaction from their desire for women. In this way, women are encoded as signs to fit men's psychological needs and patriarchal narcissism, in which domination and subordination are expressed. Thus in the disguise of popular song and entertainment, the representation of women in Wen T'ing-yun's lyrics is actually a form of power construction within patriarchal ideology. |
本系統中英文摘要資訊取自各篇刊載內容。