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題名 | 試論《中原音韻》之編撰意圖及「入派三聲」=A Discussion of the Intention of Composing Chung Yuan Yin Yun as well as “Ju Pai San Sheng” |
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作者姓名(中文) | 吳盈滿; |
作者姓名(外文) | Wu, Eing-man; |
書刊名 | 中國文學研究 |
卷期 | 16 2002.06[民91.06] |
頁次 | 頁133-164 |
分類號 | 802.43 |
語文 | chi |
關鍵詞 | 周德清; 中原音韻; 入派三聲; Chou Te-Chng; Chung Yuan Yin Yun; Ju Pai San Sheng; |
中文摘要 | 本文從元曲發展的歷史探討《中原音韻》的編撰目的,並在此基礎上重新思考歴來備受爭議「入派三聲」的問題,提出《中原音韻》成書於南籍文人競作元曲的背景之下,其成書目的在指導南籍文人正語作北曲,故書中所述「音韻無入聲,派入平上去三聲」是指中原正音,「呼吸言語之間還有入聲之別」是指江南方音。 |
英文摘要 | The article discusses the intention fo composing Chung Yuan Yin Yun from the view of Yuan Chu's development history; on this basis, it also reconsiders a controversial issue of “Ju Pai San Sheng”. Under this background, the article proposes that the purpose of the compilation is to instruct literati whose ancestral registers are in the South China how to compose Pei Chu with classical rhyme. When it comes to “Yin Yun Wu Ju Sheng”, “Pai Ju Ping Shang Chu San Shen” (音韻無入聲,派入平上去三聲) described in the book, it means “Chung Yuan Cheng Yin”. There is Ju Sheng between speaking and breathing, which refers to “Chiang Nan Feng Yin”. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。