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來源資料
頁籤選單縮合
題名 | 誰是"紀行詩"的作者--馬歡或羅懋登?=Who Was the Real Author of the "Voyage Recording Poem"? |
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作者 | 蘇明陽; | 書刊名 | 暨大學報 |
卷期 | 6:1 2002.03[民91.03] |
頁次 | 頁1-17 |
分類號 | 851.46 |
關鍵詞 | 馬歡; 瀛涯勝覽; 紀行詩; 鄭和; 羅懋登; 三寶太監下西洋; Cheng Ho; Ma Huan; Luo Mao-teng; Voyage recording poem; |
語文 | 中文(Chinese) |
中文摘要 | 現存馬歡著《瀛涯勝覽》有二十餘種明、清抄刻版,其中有二版:(明)《紀錄彙編本》及(明)《國朝典故本》之卷前,錄有一首四十八句七言詩,現通稱為"紀行詩"。(明)羅懋登著《三寶太監下西洋記演義》百回本,在其第一百回之前頭,也錄有此詩之全部。羅氏之演義小說(刊於1597年),晚馬氏之著(1451)約150年,並且羅氏小說依賴馬氏著作極多。故歷來學者都順理成章認為羅氏也自馬氏著作抄襲此詩。本人仔細之分析結果,認為該詩的原作者是羅懋登,以後上述二版馬歡《瀛涯勝覽》之抄刻者,於1617年左右或更遲,抄錄於其卷前,但沒有指明出處。三、四百年以後,更沒人知曉了。中國古籍之抄刻,常犯此類毛病,原不足為怪。但此"紀行詩"之抄襲,關係到《瀛涯勝覽》另外一些版本也可能抄襲《西洋記》所述之鄭和寶船尺度之問題,故格外值得深切探究。 |
英文摘要 | Among twentysome editions available at the present from the Ming and Ching Dynasties of the book "Ying-ya Sheng-Lan" by ma Huan, a travelog about the seven voyages of Cheng Ho during 1404 and 1433, there are only two editions that contain a poem, commonly called the "Voyage Recording Poem". This poem has 48 lines, each having seven Chinese characters. It so happens that the very same poem also appears in the first part of Chapter 100 of the Ming-dynasty historical novel, "San-pao t'ai-chien hsia hsi-yang Yen-Yi", written by Luo Mao-teng. This historical novel was composed in 1597, about 150 years later than the book by Mr. Ma. Furthermore, it is well-known to scholars that Luo borrowed heavily from Ma's book in writing his novel. Thus, it has always been assumed without question that Luo copied Ma's poem into his novel, without acknowledgement. After a detailed and careful analysis of existing documents, comparisons of the contents of these two books, and writing styles and backgrounds of these two authors, we have come to the conclusion that the original author of the poem was Luo and that the editions of Ma's book containing the poem copied it from Luo's novel around 1617 or thereafter. With the passage of more that 350 years, it would be naturally difficult for anyone to suspect such confusion of authorship. In ancient China and Europe, such copying was actually quite commonplace. Normally, it would not be difficult to establish the real authorship of the poem, except that other aspects of Cheng Ho's treasure ships might also have been copied from Luo's novel. Hence, the firm establishment of the real authorship of the poem has become a rather important issue and demands our special concern and attention. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。