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題 名 | 傳顧愷之《女史箴圖》與中國藝術史=The Admonitions Scroll and Chinese Art History |
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作 者 | 方聞; | 書刊名 | 國立臺灣大學美術史研究集刊 |
卷 期 | 12 2002.03[民91.03] |
頁 次 | 頁1-33+285 |
分類號 | 945.4 |
關鍵詞 | 傳顧愷之女史箴圖; 中國藝術人體造型史; 人類學研究文化傳記; 模擬描述; 文人畫; Attributed to Ku K'ai-chih; Admonitions scroll; History of figural representation in Chinese art; Anthropological study of "cultural biography"; Mimetic representation; Literati painting; |
語 文 | 中文(Chinese) |
中文摘要 | 最近,中國藝術史在國內與國外研究方法,有不同的趨向。西方學者,從人類學的角度,不注重鑑定藝術品時代真假,用「感受」cultural biography)。這是「相對」的,「後歷史」的一種看法。我們要重建中國藝術史,必須從鑑定藝術品時代真假著手,方可用實物來做歷史證據。這類工作可比考古家發覺上古遺物,從萬千碎片中湊成一大迷局,其中形式風格的分析是無法避免的一種工具。(所以最近傳董元「谿岸圖」時代的爭論,是形式風格研究方法上的一大考驗。)本文先要考定傳顧愷之《女史箴圖》在歷史時代上準確地位,方能用他來做中國藝術只人物畫發展的證件。我們先要瞭解中國藝術人體造型史,也要明瞭歷代畫史中這件《女史箴圖》的「文化傳記」,方能說明在歷代收藏家、鑑賞家、畫家的不同「感受」中,此畫如何繼續發生了不同的影響。 |
英文摘要 | In current Western art history discourse, where problems of connoisseuriship (in Western art history) are no longer at issue, scholars have argued that “art is too important to leave to art historians.” By focusing on the “cultural biography” of an art object, an approach that owes much to anthropology, the concerns of the new materialist social art history shift to issues of “reception” (or “deconstruction”) where meaning is found in the eyes of the beholder rather than in objects at the point of their creation. Suffices to say that new, post-Modern art-historians are relativists, and “post-historical.” In modern study of ancient Chinese paintings, where a history based on reliable historical data remains to be assembled, our search for a history of styles based on paintings as objects resembles that of an archaeologist’s fitting together a vast puzzle of material remains. (Remember the problems we experienced recently with the dating of the Riverbank attributed to Tung Yuan?) In this paper, I hope to demonstrate Admonitions scroll attributed to Ku K’ai-chih at the British Museum can be, and must be, dated precisely as a historical monument: first, through an understanding of a history of figural representation in Chinese art, and second, by reviewing the “cultural biography” of the Admonitions scroll as an object in Chinese art history. |
本系統中英文摘要資訊取自各篇刊載內容。