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題 名 | 淺釋布拉姆斯敘事曲=A Study of Brahm's Ballade |
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作 者 | 周淑斐; | 書刊名 | 音樂藝術學刊 |
卷 期 | 1 2001.12[民90.12] |
頁 次 | 頁89-116 |
分類號 | 917.1 |
關鍵詞 | 布拉姆斯; 敘事曲; 散曲; 愛德華敘事曲; Brahms; Ballade; Character piece; Edward the ballade; |
語 文 | 中文(Chinese) |
中文摘要 | 布挽斯(1833-1897)的創作,在求新求變及華格納風潮漫整個歐洲之當代,由於他具有虔誠的宗教信仰、堅守音樂理念及追求音樂之內在本質,從而建立了獨樹一幟之風格,因而被譽為保守之古典主義者。但是他的作品,不論在交響曲、室內樂、鋼琴作品、藝術歌曲樂合唱音樂等 ,在當代皆占一席之地,而其中鋼琴音樂最能表達出他的作曲天賦,主要是受到他的啟蒙老師馬克森(1806-1887)之影響。 布拉姆斯的作品,可以分為三個創作期,作品編號第十之四首敘事曲即是第一個創作期的最後一部鋼琴作品。本文旨在探討此四首敘事曲之創作背景、曲式及風格,並加筆者在演奏上之詮釋,期能拋磚引玉,引起演奏者之共鳴。 |
英文摘要 | At the turn of the nineteenth century, when Wagner’s influence and modernism dominated, Johannes Brahms (1833-1897) was considered a conservative classicist. He was more attached to existing techniques and idioms, to the quality of music itself and personal convictions, than to novelty per se. Nevertheles, his symphonies, chamber music, piano pieces, lieder and choral works all occupied an important place in his time. Among them, Brahms was at his best in his compositions for the piano, the instrument on with he received his formative training form Eduard Marxsen (1806-1887). Brahms’s oeuvre could be divided into three periods, and the four Ballades Op. 10 are the last piano works of the first period. The background of that work, its form, style and interpretational issues will be discussed here. |
本系統中英文摘要資訊取自各篇刊載內容。