頁籤選單縮合
題 名 | 隔壁房間的裂縫--論駱以軍的抒情轉折=A Crack in the Room Next Door: On Luo Yijun's Lyrical Turn |
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作 者 | 黃錦樹; | 書刊名 | 中山人文學報 |
卷 期 | 12 民90.04 |
頁 次 | 頁31-43 |
專 輯 | 島與半島:臺灣文學與亞細安文學 |
分類號 | 823.28 |
關鍵詞 | 克服張大春; 抒情轉折; 隱喻的經濟; 遺棄美學; 秘教唯物主義; Overcoming Zhang Dachun; Lyrical turn; Economy of metaphor; Aesthetics of desertion; Mystical materialism; |
語 文 | 中文(Chinese) |
中文摘要 | 本文主要討論八○年代崛起的年輕小說家駱以軍的抒情轉折。扣緊他和業師張大春之間寫作技術及世界觀之間的繼承與叛離(「克服」張大春),尤其關注作為其內向轉折重要環扣之駱以軍的詩集《棄的故事》,及箇中衍生的遺棄美學。以遺棄及身體的愛欲感覺為軸心,駱以軍悄悄地重回被張大春遺棄的抒情傳統,完成了以私小說為敘事策略的內向轉折。 |
英文摘要 | This paper focuses on the lyrical turn in the works of Luo Yijun, a budding local writer of the 1980’s. Emphasis is placed on the relationship between Luo and Zhang Dachun, specifically on how Luo first adopted Zhang’s writing skills and worldviews and then departed from his mentor (his “overcoming” Zhang). It is precisely in Luo’s collection of poems Qi de gushi [The story of Qi/desertion], which bears traces of such a significant turn, that the poet picks up stealthily the lyrical tradition deserted by Zhang, seeking the “I-novel” as a source of his narrative strategy and hence accomplishing an aesthetics of desertion. |
本系統中英文摘要資訊取自各篇刊載內容。