查詢結果分析
來源資料
相關文獻
- Lydia H. Liu, «Translingual Practice: Literature, National Culture, and translated Modernity--China, 1900-1937»
- 印度音樂對中國文學戲劇之影響
- 南京師範大學中國文學數位系統--唐宋金元詞文庫
- 日本靈異記と中国文學の關係
- 文藝類內容提供網站現身說法
- 日本漢學研究近況
- 中國文學史參考作品選序
- The Problematic Totalization in Fredric Jameson's Reading of Modern Chinese Literature
- 中國文學在俄國--十八世紀至十九世紀上半葉
- 牧羊女與採桑女--論一個中國文學的題材
頁籤選單縮合
題 名 | The West in the East: A Survey of Western Elements in Modern Chinese Utopian and Dystopian Literature |
---|---|
作 者 | Lee,Shuen-shing; | 書刊名 | Tamkang Review |
卷 期 | 30:1 民88.秋 |
頁 次 | 頁65-123 |
分類號 | 820 |
關鍵詞 | 中國文學; Utopia; Science fiction; Modern Chinese literature; Dystopia; Late Qing fiction; |
語 文 | 英文(English) |
英文摘要 | This paper surveys Western elements In modern Chinese utopian and dystopian literature The discussion emphasizes the origination of East-West utopias from the Westernizing sociopolitical climate around the last decade of the Qing Dynasty (清) and their absorption of Western forms of expression, which initiated a literary Westernization in Chinese literature. The second part of the study looks at East-West dystopian thought, which represents an attitude distinct from but affiliated with the East-West utopian imagination. It observes the dystopian imagination in late Qing fantasies (1900-1911) which carry on the literary convention established by “blame-criticism fiction” (譴責小說). It further argues that cultural dystopias in the Republican era (1912-1949) extended the same attitude in social criticism, while technological and ecological dystopias after 1950 shifted their major concerns to post-industrial calamities. |
本系統中英文摘要資訊取自各篇刊載內容。