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來源資料
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題 名 | Genese des Conceptions Theatrales d'Antonin Artaud=阿鐸戲劇觀探源、Genesis of Antonin Artaud's Theatrical Ideas |
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作 者 | 劉俐; | 書刊名 | 淡江人文社會學刊 |
卷 期 | 6 2000.11[民89.11] |
頁 次 | 頁137-167 |
分類號 | 984 |
關鍵詞 | 劇場; 語言; 超現實主義; 電影; 希臘悲劇; 峇里島戲劇; Balinese theater; Cinema; Greek tragedy; Language; Surrealism; Theater; |
語 文 | 法文(French) |
中文摘要 | 阿鐸的戲劇觀開展了現代劇場的全新面貌。作為一個開創者,其觀念的醞釀形成仍有跡可循。本文探討影響其觀念形成的主要因素:超現實主義對西方理性傳統的反叛;電影的工作經驗使他對影像與夢的處理有新的體會;東方劇場(特別是峇里島舞蹈)的啟發使他“完全劇場”的理想更為具體化。此外,阿鐸雖然摒棄西方傳統戲劇,但他的戲劇理念與希臘悲劇不論在形上或技術層面,都有不謀而合之處,本文將在最後部份,加以探討。 |
英文摘要 | Antonin Artaud exerted a profound impact on modern theater. As a theatrical innovator, he is also the heir of a long tradition. This study tries to examine the dominant elements in the gestation of his theatrical ideas: the influence of Surrealism, of which he was, for a time, an active member; his experience with cinema, in the pursuit of images and dreams; the revelation of the Oriental theater (notably Balinese dance) which led him to opt for a theater that works on the nerves and senses. Although Artaud rejects the traditional Western theater, his search for roots reveals affinities with Greek tragedy, not only on the metaphysical level, but also in the way he conceives the technical organization and the function of theater. |
本系統中英文摘要資訊取自各篇刊載內容。