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頁籤選單縮合
題 名 | Pitfalls of the Postcolonialist Rubric in the Study of Modern Chinese Fiction Featuring Cannibalism: From Lu Xun's "Diary of a Madman" to Mo Yan's Boozeland |
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作 者 | Wu,Yenna; | 書刊名 | Tamkang Review |
卷 期 | 30:3 民89.春 |
頁 次 | 頁51-87 |
分類號 | 823.6 |
關鍵詞 | 狂人日記; 藥; 酒國; Post-colonialism/postcolonialism; Colonial discourse; External referents; Inhumanity; Colonialism; Cannibalism; Semi-colony; Multiple colonialism; Maoist rhetoric; Self-reflexivity; Apathy; Literal and metaphorical; Hypocrisy; Kuangren riji; Yao; Jiuguo; |
語 文 | 英文(English) |
英文摘要 | Postcolonialism, the study of colonial discourse and representation, is merely a subfield within the much broader field of post-colonial studies. I argue for the need to be cautious in applying the postcolonialist conceptual framework in Chinese studies, in light of its many limitations I suggest that scholars adopt nuanced and empirically grounded models, and remain mindful of regional, cultural, and historical contexts and specificities. Using Lu Xun’s “Diary of the Madman” and Mo Yan’s Boozeland as examples, I demonstrate that it would be inappropriate to impose a reductive postcolonialist framework onto an interpretation of either of these two literary works. Although both works are fanciful at many levels, they are not simply assemblages of discourse that may be played with according to critical whim; responsible critics must take account of these works’ mimetic capacities and historical contexts. Both works can be understood and fully appreciated only by means of more comprehensive critical approaches that take note of particularities and nuanced shades of meaning. |
本系統中英文摘要資訊取自各篇刊載內容。