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題 名 | 存活於「虛無」中之「實在」--剖析羈魂「一切看來是那麼實在」一詩=The Existence of Realness in Nihility: The Analysis of Ji Hun's Poem Entitled “Everything Seems So Real” |
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作 者 | 何金蘭; | 書刊名 | 淡江人文社會學刊 |
卷 期 | 5 2000.05[民89.05] |
頁 次 | 頁1-15 |
分類號 | 821.88 |
關鍵詞 | 九七情結; 香港文學; 香港現代詩; 香港詩研究; 高德曼分析方法; 發生論結構主義; 意涵結構; 羈魂詩剖析; Ninety-seven sentiments; Analysis of Ji Hun's poems; General structure; Genetic structuralism; Hong Kong contemporary poetry; Hong Kong literature; Lucien goldmann's theory; Research on Hong Kong poems; |
語 文 | 中文(Chinese) |
中文摘要 | 香港文學於一九八二年至一九九七年之間出現許多充滿「九七情結」的 作品,尤其在一九八九年「六四」之後。羈魂此首〈一切看來是那麼實在〉正是 表達當時大多數人的心理。全詩建立在「實在 / 虛無」的總意涵結構上,小的 部分結構亦為增強詩人心中的無奈與不安全感而設。本文使用的方法為呂西安˙ 高德曼(Lucien Goldmann 1913-1970)「發生論結構主義」詩歌分析方法,必須先 尋出作品中的「總意涵結構」和「部分結構」,然後再進行分析。文學與整個時 代、社會的變化有密不可分的關係,香港文學於新的世紀中必將展現全新的風貌。 |
英文摘要 | In the period of 1982 to 1997, many literary works which involve "Ninety-seven" Sentiments appeared in Hong Kong's literature, and especially after 4th of June 1989. Ji Hun's poem, entitled "Everything Seems so Real" is reflective of the psychology of many at that time. The entire poem is based on the general structure of "realness / nihility"; the smaller structures within reveal a sense of restlessness in the poet. Before we can make use of Lucien Goldmann's (1913-1970) theory of "Genetic Structuralism" to analyze this poem, we have to find out the general structure and small structures within it. Literature and the period that it is in is closely related to changes in society, thus it is Hong Kong's Literature presents a new style in this new millenium. |
本系統中英文摘要資訊取自各篇刊載內容。