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題 名 | 「毛詩」鄭箋、孔疏「興」義之比較=Comparison between Cheng Hsuan's and Kung, Ying-Ta's Notes on "The Book of Songs" for the Definition About "HSING" |
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作 者 | 吳盈靜; | 書刊名 | 嘉義大學學報 |
卷 期 | 68 2000.02[民89.02] |
頁 次 | 頁155-160 |
分類號 | 093.1 |
關鍵詞 | 毛詩; 鄭玄; 孔穎達; 興; The book of songs; Cheng Hsuan; Kung; Ying-ta; HSING; |
語 文 | 中文(Chinese) |
中文摘要 | 《詩經》六義中的「興」字」,歷來說解紛紜,本文乃試圖比較東漢鄭玄與唐人孔穎達二人對「興」的解玎,遂發現由鄭箋「美詩之興」的政教觀點到孔疏「觸物生興」的界義,正是使《詩經》從美刺謹諭的經學傳統中逐漸解放為抒情文藝之作的關鍵。 |
英文摘要 | “HSING”, this word in the 6 genres of “The Book of Songs” has been given a lot of definitions sicne long time age, and this article is trying to compare the explanations made by Cheng Hsuan in Tung-Han Dynasty and Kuung, Ying-Ta in Tang Dynasty in terms of “Hsing”. Therefore, it is found that the change form the political and didactical point of view of Cheng Hsuan’s “HSING of beautiful songs” to Kung, Ying-Ta’s definition of “Emotions spontaneously aroused due to contact with outside things” is the key to release “The Bok of Songs” form scholastic tradition of books which satirizes by way of beauties to a masterpiece of lyrical literature. |
本系統中英文摘要資訊取自各篇刊載內容。