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題 名 | The Disappearance and Revival of Feminine Discourse |
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作 者 | Li,Ziyun; Yan,Qigang; | 書刊名 | Tamkang Review |
卷 期 | 30:2 民88.冬 |
頁 次 | 頁55-69 |
分類號 | 544.5 |
關鍵詞 | 女性議題; May Fourth Movement; Lu, Xun; Zhang, Ailing; Zhang, Kangkang; Zhang, Xinxin; Zhang, Jie; The Ark; Wang, Anyi; Self-reliance; Sexual awakening; |
語 文 | 英文(English) |
英文摘要 | Li Ziyun offers an in-depth analysis of the issue of women’s literary voice in China in “The Disappearance and Revival of Feminine Discourse.” In this essay, Li discusses the development of feminine discourse in China in the twentieth century, from the seeds of the May Fourth movement, through nearly fifty years of repression, to the post-1978 revival of a unique feminine literary voice Chinese feminine discourse had a promising beginning with May Fourth writer Lu Xun and Ding Ling’s fiction of the 1920’s and 1930’s; however, Li Ziyun documents that from the 1930’s to 1978, female discourse was largely neglected in the literary circles of China. Due to the Japanese threat to national survival, women’s consciousness was stifled by the force of pressing social and political movements. Following the fall of the Gang of Four, the proliferation of women’s writing in China became remarkable, rich and diverse, as demonstrated by the diversity of women’s voices, including contemporary women writers in mainland China who wished to distance themselves from the women's movement in their desire to compete with male writers on equal terms Including Zhang Kangkang, Zhang Jie, and Wang Anyi. Also noteworthy are authors Wang Anyi and Tie Ning, whose writing focuses on sexual awakening and sexual experience A final development discussed by Li Ziyun is in direct correlation with the growing economic boom in China-that is the proliferation of women’s fiction related to the social changes instigated by economic development. |
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