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題 名 | 銅鼓的認知與中原文化本位的思考推論=The Perception about Bronze Drum and the Perspective on the Basis of the Chinese Middle-Land Culture |
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作 者 | 曾瀚霈; | 書刊名 | 社會文化學報 |
卷 期 | 7 1998.12[民87.12] |
頁 次 | 頁51-75 |
分類號 | 793.64 |
關鍵詞 | 銅鼓; 音樂; 民族音樂; 民族音樂學; 中國音樂; 中國; 中原; Bronze drum; Brass drum; Bronzetrommel; Bronzepauken; Music; Ethnomusicology; Music in China; China; Middle-Land; |
語 文 | 中文(Chinese) |
中文摘要 | 從臺灣臺南南鯤鯓廟宣稱「發現」一具銅鼓的報導文字中,筆者以銅鼓的認知檢出一個重要問題,就是在學術問題的探討中,受中文教育成長的知識份子有時會潛存著中原文化本位的思考推論,這種思考推論在處理具有跨文化、跨民族的事物時會導致錯誤的看法和結論,銅鼓就是一個明顯的例子,筆者最後並研判南鯤鯓廟的銅鼓極可能是來自緬甸的卡倫族的產物。 |
英文摘要 | From a newspaper report about a "found" bronze drum in the Nan Kuen-Shen Temple in Tainan, Taiwan, the author takes its content as a typical example to show the problem of the perspective on the basis of the Chinese middle-land culture which is different from the culture of China. In dealing with transcultural themes, it may lead to wrong viewpoints and conclusions. The perception about bronze drum is good as an item to examine it. In conclusion, the author judges that the bronze drum of the Nan-Kuen-Shen Temple is very likely a product of Karen in Burma. |
本系統中英文摘要資訊取自各篇刊載內容。